Hot corn: Life Scenes in New York Illustrated — John Shaqi
Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
But who is it says, "come with us?" The voice seemed familiar, and yet
not familiar to Sally's ear. If the person had been clothed in such a
garb of poverty as she herself had always worn, she would have known
her, although it was three years since they had met. She was not; she
wore a neat tidy calico frock, and clean white sun-bonnet, hastily put
on, and altogether looked so neat, so smart, so comfortable, as though
she had a home which she meant to take them to, when she said, "come
with us," that the tempter's spell was broken. Sally would not have gone
with Julia Antrim, for all her gold and silks, good suppers and other
enjoyments. The words were few and common-place. How often the mother
and children had heard them before--"come with us." But they never
sounded as they did this night. There is something in the tone, as well
as words. There is a magnetic power in kindness. Kind words are always
winning, whether from friend or stranger. These came from strangers. Not
altogether so; the man had been one of the drunken companions of Bill
Eaton; had helped to make him such, and now he was going to pay part of
the damage to his family. The girl, in her father's drunken days, had
been one of Sally's street companions; they had begged, and stole, and
peddled hot corn and pea-nuts together. But Sally knew her not. How
could she? Then she was, ragged and dirty, far worse than Sally; her
parents were far poorer, and lived in a worse room, one of the worst in
Centre street, and both of them were great drunkards, and she was, so
everybody said, "the worse child that ever run unhung."
How could she know the well behaved, nice looking young lady, walking by
her side. But she did know that she spoke kind words in a sweet tone,
and her heart was touched, and she went on with a light step. That
blanket wrapped a happier heart that night, than ever fluttered under
the silk dress of her former playmate, Julia Antrim.
They went on; the old man gave his arm to the widow and led the little
boy; the daughter walked with Sally. They enter the _front_ door of a
good house--when did either ever enter the front door before--up one
flight of clean stairs, and there is their home, a room, and two
bed-rooms, and kitchen; small to be sure, but a most comfortable home,
for the old man and his daughter. He was a carpenter, and made from a
dollar and a half to two dollars a day; she was a stock-maker, and could
earn from three to five dollars a week, enough to pay nearly all
expenses. "Three years ago," said he, "I was the most hopeless drunkard
that ever tumbled into a Centre street cellar. And my wife--but no
matter--she is in heaven now. All that girl's work. She reformed us; she
made me a sober man, and, God willing, I shall never fill a drunkard's
grave."
"Oh, if she could only reform my husband, how I would bless her."
"It is too late."
"No, no; it is never too late; while there is life there is hope."
"Yes, true; but--"
Public-domain text, read in full here on John Shaqi.
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