Hot corn: Life Scenes in New York Illustrated — John Shaqi
Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
"Yes, and see how nicely these clothes fit them, just as well as though
made on purpose. How could anybody guess so well?"
"It is no guess work. There is something more than guess work about
this."
So there was.
"Breakfast is ready, father."
"Then let us eat it in thankfulness and then."
And then!
CHAPTER II.[A]
LITTLE KATY.--A MIDNIGHT INTERVIEW.
What is said in this, will apply to everything similar.
"Here's your nice Hot Corn, smoking hot, smoking hot, just from the
pot!" Hour after hour one evening, as I sat over the desk, this cry came
up in a soft, plaintive voice, under my window, which told me of one of
the ways of the poor to eke out means of subsistence in this
over-burdened, ill-fed, and worse-lodged home of misery--of so many
without means, who are constantly crowding into the dirtiest purlieus of
this notoriously dirty city, where they are exposed to the daily chance
of death from some sudden outbreaking epidemic like that now desolating
the same kind of streets in New Orleans, and swallowing up its
thousands of victims from the same class of poverty-stricken,
uncomfortably-provided for human beings, who know not how, or have not
the power, to flee to the healthy hills and green fields of the country.
Here they live--barely live--in holes almost as hot as the hot corn, the
cry of which rung in my ears from dark till midnight.
[A] This chapter was published under the simple title of "Hot Corn,"
among the "City Items" of the New York Daily Tribune, August 5, 1853. It
is but slightly altered from the original text.
[Illustration: "HOT CORN! HERE'S YOUR NICE HOT CORN!"--_Page 45._]
"Hot corn! hot corn! here's your nice hot corn," rose up in a faint,
child like voice, which seemed to have been aroused by the sound of my
step as I was about entering the Park, while the city clock told the
hour when ghosts go forth upon their midnight rambles. I started, as
though a spirit had given me a rap, for the sound seemed to come out of
one of the iron posts which stand as sentinels over the main entrance,
forbidding all vehicles to enter, unless the driver takes the trouble to
pull up and tumble out of the way one of the aforesaid posts, which is
not often done, because one of them, often, if not always, is out of its
place, giving free ingress to the court-yard, or livery stable grounds
of the City Hall, which, in consideration of the growth of a few
miserable dusty brown trees and doubtful colored grass-patches, we call
"the Park."
Looking over the post I discovered the owner of the hot corn cry, in the
person of an emaciated little girl about twelve years old, whose dirty
shawl was nearly the color of the rusty iron, and whose face, hands, and
feet, naturally white and delicate, were grimmed with dirt until nearly
of the same color. There were two white streaks running down from the
soft blue eyes, that told of the hot scalding tears that were coursing
their way over that naturally beautiful face.
Public-domain text, read in full here on John Shaqi.
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