Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
It was a sad, sad business. That one more bottle had beggared himself,
and all that were dependant upon him. He had just married one daughter
to a man whose only qualification was "a good fellow," who could shoot,
fish, smoke, drink, drive fast horses, cheat his tailor, and the poor
widow boarding-house keeper, and, finally, take advantage of a besotted
old rich merchant, when he had drunk just to the point of
good-nature--when the indulger in strong drink feels like hugging
everybody and "all the rest of mankind,"--to get his consent for him to
marry his ugly daughter. It was a marriage of convenience, the
obligations of which he intended to keep just as many other such
obligations are kept in this city. All this ran through his mind upon
the electric telegraph of the brain. Flash after flash it went through,
and then came the heavy thunderbolt. He could have endured all the rest;
he could not endure that his son should marry a sewing girl. Why? His
father was a tailor, and he married a tailor's daughter, and he hated
everything that could remind him of his own needle-and-thread origin. He
hated her too, because she was so much more lovely than his own
daughters.
For five minutes he sat with the letter in his hand, glaring at that,
then at his wife and Matilda with a look of sorrow; then at Elsie and
her half-drunken husband, with contempt; then his eye came back with a
fixidity of hatred upon Walter and Athalia.
At length Walter ventured to break the awful silence.
"Father."
"Don't call me father again. I disown you, you poor milliner's
apprentice. Beggar! Don't speak to me."
Walter paid no heed to the order, but said mildly, "is the Matilda
lost."
"That is my business. Leave the room."
His sisters took up the cue.
"Yes, you had better go now. Go, and set up shop. You can carry home
dresses for your wife."
He came to that afterwards. Then Elsie's husband put in a word of
insult.
"I say, Walter, it strikes me, that is rather a costly topsail for a
beggar's wife. I hope she gets her bonnets in an honest way. Who pays
the milliners' bills?"
Public-domain text, read in full here on John Shaqi.
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