Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
Walter raised his cane to strike the villain that could utter such a
vile insinuation upon the character of a virtuous girl, and would have
paid all his tailors' bills at one blow, but Athalia sprung upon his
arm, and held it down. His father either thought, or pretended to think,
that he raised his cane to strike him; probably not having heard the
remark of Wendall, and thinking only of his own wrongs. He seized a
bottle--a weapon that has knocked down its thousands--and sprang
forward to strike down his son. His arm was already up, a horrid oath
was struggling in his throat, his face turned black from the effects of
suffocation, he reeled, the bottle fell to the floor with a crash, and
he would have fallen down among the broken glass and spilt wine, but for
Walter, who caught him in his arms, and bore him from the room towards
his chamber. Athalia rushed out for a physician. It was too late!--Death
had already said, "That is my business."
* * * * *
While these events were transpiring in the country, others of great
import to the rich merchant's family were enacting in the city.
Creditors are not slow when they see misfortune fall upon one, whom they
were ready to bow to yesterday, to tread upon him to-day. Creditors and
their ministers,--the judges, attorneys, sheriffs,--are all ready for a
share of the pound of the broken merchant's flesh. Shylocks still live,
and Antonios still fail.
That was a sad funeral cortege which accompanied the dead bankrupt back
to the city. Sad, not so much from sorrow, as wounded pride and fallen
greatness. It was sad to see the daughters of a dead father absolutely
refuse to travel upon the same train, with an only brother's wife. He
would not go without her, and so they went without him. It was night
when they arrived. They had despatched John in advance, to set the house
in order, and meet them at the depot with the carriage and a hearse. The
latter was there, the former was not, and they had to submit to the
indignity of a hired hack. At the house, all was dark. What could it
mean? "That villain, John, has got drunk again!" That was the fact. Who
taught him? He was only following the long-studied precepts of his
employer and lady, the young ladies, the young gentlemen, and all their
fashionable associates, in their fondness for exhilarating drink. Why
should he not get drunk?
They rung the bell angrily. It was a long time before it was answered.
Then a heavy footstep came down stairs--not up from the servants'
room--and approached the door, and opened the inner one, so that he
could see through the blind who demanded admission. A sharp-faced, keen,
black-eyed, weasel-looking man, with a chamber-lamp in his hand, and one
of Mr. Morgan's dressing gowns upon his back, stood before the
astonished family with the question trembling upon his lips, of "Vats
you vant here?"
"Want? we want to come in, to be sure, why don't you open the door? Who
are you? What are you doing here?"
Public-domain text, read in full here on John Shaqi.
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