Hours in a Library, Volume 1: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 1: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
There are, indeed, novelists who write to inculcate High-Church
or Low-Church principles, or to prove that society at large is out of
joint; but a direct intention to prove that men ought not to steal or
get drunk, or commit any other atrocities, is generally considered to be
beside the novelist's function, and its introduction to be a fault of
art. Indeed, there is much to be said against it. In our youth we used
to read a poem about a cruel little boy who went out to fish and was
punished by somehow becoming suspended by his chin from a hook in the
larder. It never produced much effect upon us, because we felt that the
accident was, to say the least, rather exceptional; at most, we fished
on, and were careful about the larder. The same principle applies to the
poetic justice distributed by most novelists. When Richardson kills off
his villains by violent deaths, we know too well that many villains live
to a good old age, leave handsome fortunes, and are buried under the
handsomest of tombstones, with the most elegant of epitaphs. This very
rough device for inculcating morality is of course ineffectual, and
produces some artistic blemishes. The direct exhortations to his
readers to be good are still more annoying; no human being can long
endure a mixture of preaching and story-telling. For Heaven's sake, we
exclaim, tell us what happens to Clarissa, and don't stop to prove that
honesty is the best policy! In a wider sense, however, the seriousness
of Richardson's purpose is of high value. He is so keenly in earnest, so
profoundly interested about his characters, so determined to make us
enter into their motives, that we cannot help being carried away; if he
never spares an opportunity of giving us a lecture, at least his zeal in
setting forth an example never flags for an instant. The effort to give
us an ideally perfect character seems to stimulate his imagination, and
leads to a certain intensity of realisation which we are apt to miss in
the purposeless school of novelists. He is always, as it were, writing
at high-pressure and under a sense of responsibility.
Public-domain text, read in full here on John Shaqi.
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