Hours in a Library, Volume 2: New Edition, with Additions — John Shaqi
Hours in a Library, Volume 2: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 2: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
If, in some sense, Peter Grimes is the most effective of Crabbe's
heroes, he would, if taken alone, give a very distorted impression of
the general spirit of the poetry. It is only at intervals that he
introduces us to downright criminals. There is, indeed, a description of
a convicted felon, which, according to Macaulay, has made 'many a rough
and cynical reader cry like a child,' and which, if space were
unlimited, would make a striking pendant to the agony of the burdened
Grimes. But, as a rule, Crabbe can find motives enough for tenderness in
sufferings which have nothing to do with the criminal law, and of which
the mere framework of the story is often interesting enough. His
peculiar power is best displayed in so presenting to us the sorrows of
commonplace characters as to make us feel that a shabby coat and a
narrow education, and the most unromantic of characters, need not cut
off our sympathies with a fellow-creature; and that the dullest
tradesman who treads on our toes in an omnibus may want only a power of
articulate expression to bring before us some of the deepest of all
problems. The parish clerk and the grocer--or whatever may be the
proverbial epitome of human dulness--may swell the chorus of lamentation
over the barrenness and the hardships and the wasted energies and the
harsh discords of life which is always 'steaming up' from the world, and
to which it is one, though perhaps not the highest, of the poet's
functions to make us duly sensible. Crabbe, like all realistic writers,
must be studied at full length, and therefore quotations are necessarily
unjust. It will be sufficient if I refer--pretty much at random--to the
short story of 'Phoebe Dawson' in the 'Parish Register,' to the more
elaborate stories of 'Edward Shore' and the 'Parting Hour' in the
'Tales,' or to the story of 'Ruth' in the 'Tales of the Hall,' where
again the dreary pathos is strangely heightened by Crabbe's favourite
seaport scenery, to prove that he might be called as truly as Goldsmith
_affectuum potens_, though scarcely _lenis, dominator_.
Public-domain text, read in full here on John Shaqi.
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