Hours in a Library, Volume 3: New Edition, with AdditionsStephen, Leslie
History
Hours in a Library, Volume 3: New Edition, with Additions
Stephen, Leslie
English literature -- History and criticism
Probably he was quite right. It would, at any rate, be a mistake to
regard any process of speculative development as determining his
career. He was no real philosopher, though capable of providing
philosophical dialogues quite good enough to figure in an historical
novel. He was primarily a poet, or, at least, a man swayed by the
imagination and emotions. He felt keenly, saw vividly, and accepted
such abstract teachings as were most congenial to his modes of seeing
and feeling. The true key to his mental development must therefore
be sought in his emotional history, and not in the intellectual
fermentation which determines the career of a true thinker. The story
of his life in this aspect, though indicated rather than directly
told, seems to be simple enough. Few people, it is probable, possess
greater faculties of enjoyment than Kingsley. His delight in a fine
landscape resembled the delight of an epicure in an exquisite vintage.
It had the intensity and absorbing power of a sensual appetite. He
enjoyed the sight of the Atlantic rollers relieved against a purple
stretch of heather as the conventional alderman enjoys turtle-soup.
He gave himself up to the pure emotion as a luxurious nature abandons
itself to physical gratification. His was not the contemplative mood
of the greater poets of nature, but an intense spasm of sympathy which
rather excluded all further reflection. Such a temperament implies
equal powers of appreciation for many other kinds of beauty, though
his love of fine scenery has perhaps left the strongest mark upon his
books. He was abnormally sensitive to those pleasures which are on the
border-line between the sensuous and the intellectual. He speaks in
an early letter of the 'dreamy days of boyhood,' when his 'enjoyment
was drawn from the semi-sensual delights of ear and eye, from sun
and stars, wood and wave, the beautiful inanimate in all its forms.'
'Present enjoyment,' he adds, 'present profit, brought always to me a
recklessness of moral consequences which has been my bane.' The last
expression must of course be taken for what it is worth—that is, for
next to nothing: but he is no doubt right in attributing to himself a
certain greediness of pleasures of the class described, which became
more intellectual and comprehensive but hardly less intense in later
years.
Public-domain text, read in full here on John Shaqi.
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