Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
On my way to C's home I tried to put myself in the frame of mind of a
genuine seeker after transcendental knowledge. I recalled all the stories
of mysterious rappings and ghostly visitations I had read or heard of. It
was just the night for such eerie musings. Black clouds were scurrying
across the face of the moon like so many mediaeval witches mounted on the
proverbial broomsticks _en route_ for a mad sabbat in some lonely
churchyard. The prestidigitateur's _pension_ was a great, lumbering,
gloomy old house, in an old quarter of Baltimore. The windows were tightly
closed and only the feeble glimmer of gaslight was emitted through the
cracks of the shutters. I rang the bell and Mr. C's stage-assistant, a
pale-faced young man, came to the door, relieved me of my light overcoat
and hat, and ushered me upstairs into the conjurer's sitting-room.
A large, baize-covered table stood in the centre of the apartment, and a
cabinet with a black curtain drawn across it occupied a position in a deep
alcove. Suspended from the roof of the cabinet was a large guitar. I took
a chair and waited patiently for the appearance of the anti-Spiritualist,
after having first examined everything in the room--table, cabinet, and
musical instruments--but I discovered no evidence of trickery anywhere. I
waited and waited, but no C--. "Can he have forgotten me?" I said to
myself. Suddenly a loud rap resounded on the table top, followed by a
succession of raps from the cabinet; and the guitar began to play. I was
quite startled. When the music ceased the door opened, and C-- entered.
"The spirits are in force to-night," he remarked with a meaning smile, as
he slightly diminished the light in the apartment.
"Yes," I replied. "How did you do it?"
"All in good time, my dear ghost-seer," was the answer. "Let us try first
a few of Dr. Slade's best slate tests."
So saying he handed me a slate and directed me to wash it carefully on
both sides with a damp cloth. I did so and passed it back to him.
Scattering some tiny fragments of pencil upon it, he held the slate
pressed against the under surface of the table leaf, the fingers of his
right hand holding the slate, his thumb grasping the leaf. C-- then
requested me to hold the other end of the slate in a similar fashion, and
took my right hand in his left. Heavy raps were heard on the table-top,
and I felt the fingers of a spirit hand plucking at my garments from
beneath the table. C--'s body seemed possessed with some strange
convulsion, his hands quivered, and his eyes had a glassy look. Listening
attentively, I heard the sound of a pencil writing on the slate.
"Take care!" gasped the conjurer, breathlessly.
The slate was jerked violently out of our hands by some powerful agency,
but the medium regained it, and again pressed it against the table as
before. In a little while he brought the slate up and there upon its upper
surface was a spirit message, addressed to me--"Are you convinced now?--D.
D. Home."
Public-domain text, read in full here on John Shaqi.
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