Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
But how is the writing done on the slate in the second test? asks the
curious reader. Nothing easier! The servant who raps at the door brings
with him, concealed under his coat, a second slate, upon which the long
message is written. Over the writing is a pad cut from a book-slate,
exactly fitting the frame of the prepared slate. It is impossible to
detect the fraud when the light in the room is a trifle obscure. The
medium makes an exchange of slates, returns to the table, washes both
sides of the trick slate, and carelessly exhibits it to the sitter, the
writing being protected of course by the pad. Before placing the slate
under the chafing-dish cover, he lets the pad drop into his lap. Now comes
a crucial point in the imposture: the writing heard beneath the slate,
supposed to be the work of a disembodied spirit. The medium under cover of
his handkerchief removes from his pocket an instrument known as a
"pencil-clamp." This clamp consists of a small block of wood with two
sharp steel points protruding from the upper edge and a piece of slate
pencil fixed in the lower. The medium presses the steel points into the
under surface of the table with sufficient force to attach the block
securely to the table, and then rubs a pencil, previously attached to his
right knee by silk sutures, against the side of the pencil fastened to the
apparatus. The noise produced thereby exactly simulates that of writing
upon a slate. In my case the illusion was perfect. During the examination
of the message, the medium has ample opportunity to secrete the false pad
and the clamp in his pocket. Instead of having a servant bring the slate
to him and making the exchange described above, he may have the trick
slate concealed about him before the séance begins, with the message
written on it, and adroitly make the substitution while the sitter is
engaged in lowering the light. Dr. Slade almost invariably adopted the
first-mentioned exchange, because it enabled his confederate to write a
lucid message to the sitter.
An examination of the sitter's overcoat in the hall frequently yielded
valuable information in the way of names and initials extracted from
letters, sealed or unsealed. Sealed letters? Yes; it is an easy matter to
steam a gummed envelope, open it, and seal it again. Another method is to
wet the sealed envelope with a sponge dipped in alcohol. The writing will
show up tolerably well if written upon a card. In a very short time the
envelope will dry and exhibit no evidence of having been tampered with.
Public-domain text, read in full here on John Shaqi.
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