Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
"Hold the slates tightly, please!" said Mr. Keeler, as a convulsive
tremor shook his hands. I grasped firmly my end of the slates, and waited
further developments. The faint tap of a slate pencil upon a slate was
heard, and the medium announced that the communications were finished. I
untied the handkerchief, and turned up the inner surfaces of the slates.
Upon one of them several messages were written, and signed. Other
communications were received during the sitting. After the first messages
were received, and while I was engaged in reading them, Keeler quickly
picked up a slate from the floor, clapped it upon the clean slate
remaining on the table, and requested me to tie the two rapidly together
with my handkerchief before the influence was lost. At a signal from him I
unfastened the slates and found another set of answers. The same
proceeding was gone through for the third set. The imitation of a pencil
writing upon a slate was either made by the apparatus, described in the
séance with C-- in the first part of this chapter, or by some other
contrivance; more than likely by simply scratching with his finger on the
under surface of the slate. While my attention was absorbed in the act of
writing my second set of questions, he prepared answers to two of my first
set and substituted a prepared slate for the cleaned slate on the table.
_I was sure he was writing under the table; I heard the faint rubbing of a
soft bit of pencil upon the surface of a slate. His hands were in his lap
and his eyes were fixed downwards._ Several times I saw him put his
fingers into his vest pockets, and he appeared to bring up small particles
of something, which I believe were bits of the white and colored crayons
used in writing the messages. His quiet audacity was surprising. I give
below the questions and answers with my comments thereon:
First Slate. Fig. 4.
QUESTION.
To Mamie:--
Tell me the name of your dead brother?
(Signed) Harry R. Evans.
ANSWER.
You must not think of me as one gone forever from you. You have made
conditions by and through which I can return to you, and so long as I can
do this I can not feel unhappy. So dear one, rest in the assurance that
you are helping me, and that I am doing all I can to help you. Let us make
the best of it all and help each other as best we can, then all will be
well. My home in spirit life is beautiful and awaiting you. I will be the
first to greet you. _I have no dead brother. All of us are living._ I am
Mamie --. (The medium here cleverly evades giving a name by an equivoque.)
QUESTION.
To Len--
Tell me the cause of your death, and the circumstances surrounding it?
(Signed) Harry R. Evans.
ANSWER.
Harry! I am very glad to see you. I am happy. You must be reconciled, and
not mourn me as dead! I will try to come again soon, when I am stronger
and tell of my decease.--Len. (He again evades an answer.)
Second Slate. Fig. 5.
QUESTION.
To A. D. B.--
When and where did you die?
Public-domain text, read in full here on John Shaqi.
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