"Under pretence of 'magnetising' the pellets prepared by the sitter, or folding them more tightly, she substitutes a pellet of her own for one of the sitter's. Reading the sitter's pellet below the table, she writes the answer on one of her own slates, a pile of which, out of the sitter's view, she keeps on a chair by her side. She then takes a second slate, places it on the table, and sponges and dries both sides, after which she takes the first slate, and turning the side upon which she has written towards herself, rubs it in several places with a dry cloth or the ends of her fingers as though cleaning it. She then places it, writing downward, on the other slate on the table, and sponges and dries the upper surface of it. She then pretends to take one of the pellets on the table and put it between the two slates. What she does, however, is to bring the pellet up from below the table, take another of the sitter's pellets on the table into her hand, and place the pellet which she has brought up from below the table between the slates, keeping in her hand the pellet just taken from the top of the table. The final step is to place a rubber band round both slates, in doing which she turns both slates over together. She professes to get the writing without the use of any chalk or pencil. Some of her slates are prepared beforehand with messages or drawings. More interesting, perhaps, because of its boldness, is her method of producing writing on the sitter's own slates. Under the pretence of 'magnetising' these she cleans them several times, rubs them with her hands, stands them up on end together, and while they are in this position between herself and the sitter she writes with one hand on the slate-side nearest to herself, holding the slates erect with the other hand. Later on, she lays both slates together flat on the table again, the writing being on the undermost surface. She then sponges the upper surface of the top slate, turns it over, and sponges its other surface. She next withdraws the bottom slate, places it on top and sponges its top surface, keeping its under surface carefully concealed. The final step, the reversal, is made, as in the other case, with the help of the rubber band. Mrs. Gillett has probably other methods, also. Those which I have described were all that I witnessed at my single sitting with her." My friend, Dr. L. M. Taylor, of Washington, D. C., an investigator of Spiritualistic phenomena, and skeptical like myself of the objective phases of the subject, has had many sittings with Keeler for independent slate-writing. One séance in particular he is fond of relating: