Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy — John Shaqi
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
"The following piece of apparatus is not shown in the figures. To the
moving index, O, of the spring balance, a fine steel point is soldered,
projecting horizontally outwards. In front of the balance, and firmly
fastened to it, is a grooved frame, carrying a flat box similar to the
dark box of a photographic camera. This box is made to travel by
clock-work horizontally in front of the moving index, and it contains a
sheet of plate-glass which has been smoked over a flame. The projecting
steel point impresses a mark on this smoked surface. If the balance is at
rest, and the clock set going, the result is a perfectly straight
horizontal line. If the clock is stopped and weights are placed on the
end, B, of the board, the result is a vertical line, whose length depends
on the weight applied. If, whilst the clock draws the plate along, the
weight of the board (or the tension on the balance) varies, the result is
a curved line, from which the tension in grains at any moment during the
continuance of the experiments can be calculated.
"The instrument was capable of registering a diminution of the force of
gravitation as well as an increase; registrations of such a diminution
were frequently obtained. To avoid complication, however, I will here
refer only to results in which an increase of gravitation was experienced.
[Illustration: FIG. 11. CROOKES' APPARATUS.]
"The end, B, of the board being supported by the spring balance, the end,
A, is supported on a wooden strip, F, screwed across its lower side and
cut to a knife edge (see Fig. 11). This fulcrum rests on a firm and heavy
wooden stand, G H. On the board, exactly over the fulcrum, is placed a
large glass vessel filled with water. I L is a massive iron stand,
furnished with an arm and a ring, M N, in which rests a hemispherical
copper vessel perforated with several holes at the bottom.
"The iron stand is 2 inches from the board, A B, and the arm and copper
vessel, M N, are so adjusted that the latter dips into the water 1-1/2
inches, being 5-1/2 inches from the bottom of I, and 2 inches from its
circumference. Shaking or striking the arm, M, or the vessel, N, produces
no appreciable mechanical effect on the board, A B, capable of affecting
the balance. Dipping the hand to the fullest extent into the water in N
does not produce the least appreciable action on the balance.
"As the mechanical transmission of power is by this means entirely cut off
between the copper vessel and the board, A B, the power of muscular
control is thereby completely eliminated.
"For convenience I will divide the experiments into groups, 1, 2, 3, etc.,
and I have selected one special instance in each to describe in detail.
Nothing, however, is mentioned which has not been repeated more than once,
and in some cases verified, in Mr. Home's absence, with another person,
possessing similar powers.
Public-domain text, read in full here on John Shaqi.
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