Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
Every one interested in psychic phenomena who makes a pilgrimage to the
Capital of the Nation visits the house of Dr. Theodore Hansmann. For ten
years Dr. Hansmann has been an ardent student of Spiritualism, and has had
sittings with many celebrated mediums. The walls of his office are
literally covered with spirit pictures of famous people of history,
executed by spirits under supposed test conditions. There are drawings in
color by Raphael, Michel Angelo, and others. In one corner of the room is
a book-case filled with slates, upon the surfaces of which are messages
from the famous dead, attested by their signatures.
In the fall of 1895, a correspondent of the _New York Herald_ interviewed
Doctor Hansmann on the subject of spirit photographs, and subsequently
visited the United States Bureau of Ethnology, where an interview was had
with Mr. Dinwiddie, an expert photographer. Here is the substance of this
second interview, published in the _Herald_, Nov. 9, 1895.
"Dr. Hansmann's collection of 'spirit' photographs is most interesting.
There is one with the face of the Empress Josephine, and on the same plate
is the head of Professor Darius Lyman, for a long time Chief of the Bureau
of Navigation. The head of the Empress Josephine has a diadem around it,
and the lights and shadows remind one of the well known portrait of her.
On another plate are Grant and Lincoln, Among his other photographs Dr.
Hansmann brought out one of a man who was described to me as an Indian
agent. Around his head were eleven smaller 'spirit' heads of Indians. In
looking at the blue print closely it seemed to me as if I had seen those
identical heads--the same as to light, shade and posing--somewhere before.
"I was aided at the Bureau of Ethnology of the Smithsonian Institution by
Mr. F. Webb Hodge, the acting director, who on looking at the blue print
named the Indians directly; several of the pictures were of Indians still
alive. This, of course, immediately disposed of the idea of the blue
print Indians being spirits.
[Illustration: FIG. 29--SPIRIT PHOTOGRAPH.
[Taken by the Author.]]
"Moreover, Mr. Dinwiddie produced the negatives containing the identical
portraits of these Indians and made me several proofs, which on a
comparison, feature by feature, light for light, and shade for shade, show
unquestionably that the faces on the blue print are copies of the
portraits made by the photographer of the Bureau of Ethnology.
"Mr. Dinwiddie asked me to sit down for awhile, and offered to make me
some spirit photographs. This he did, and the results obtained may be
considered as far better examples of the art of 'spirit' photography than
those of the medium, Keeler.
Public-domain text, read in full here on John Shaqi.
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