Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
"The matter was very simply done. Mr. Dinwiddie asked one of the ladies
from the office to come in, and, she consented to pose as a spirit. She
was placed before the camera at a distance of about six feet, a red
background was given her, so that it might photograph dark, and she was
asked to put on a saintly expression. This she did, and Mr. Dinwiddie gave
the plate a half-second exposure. Another head was taken on the other side
of the plate in much the same manner. After this was done the other or
central photograph was taken with an exposure of four seconds, the plate
being rather sensitive.
"The plate was then taken to the dark room and developed. The negative
came out very well at first, and the halo was put on afterward, when the
plate had been dried. The halo was made by rubbing vignetting paste on the
back, thus shutting out the light and leaving the paper its original hue.
The white shadowy heads which are frequently shown in black coats, and
which the mediums claim cannot be explained, are also done in this manner
with vignetting paste, the picture being afterward centred over these
places, which will be white, the final result showing soft and indefinite,
and giving the required spiritual look.
"Mr. Dinwiddie did not attempt to produce the hazy effect, but this is
very easily accomplished in the photograph by taking the spirit heads a
trifle out of focus. He claims that all of these apparent spiritual
manifestations are but tricks of photography, and ones which might be
accomplished by the veriest tyro, if he were to study the matter, and give
his time to the experiment. It is only a wonder that the mediums do not do
more of it.
"The photograph mediums have always claimed that they were set upon by
photographers for business reasons, but Mr. Dinwiddie is employed by the
government and has no interests whatever in such a dispute."
[Illustration: FIG. 30--SPIRIT PHOTOGRAPH BY PRETENDED MEDIUM.]
The eminent authority on photography, Mr. Walter E. Woodbury, gives many
interesting exposes of mediumistic photographs in his work, "Photographic
Amusements," which the student of the subject would do well to consult.
Fig. 30, taken from "Photographic Amusements" is a reproduction of a
"spirit" photograph made by a photographer claiming to be a medium. Says
Mr. Woodbury: "Fortunately, however, we were in this case able to expose
the fraud. Mr. W. M. Murray, a prominent member of the Society of Amateur
Photographers of New York, called our attention to the similarity between
one of the 'spirit' images and a portrait painting by Sichel, the artist.
A reproduction of the picture (Fig 31) is given herewith, and it will be
seen at once that the 'spirit' image is copied from it."
5. Thought Photography.
Public-domain text, read in full here on John Shaqi.
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