First of all, the host. See him leaning back in his chair, and looking into the fire, one hand unconsciously smoothing with restless thumb and finger the taper stem of his wineglass, the other playing with the ears of a favourite dog. He appears about thirty years of age, is tall, but loses something of his real height by a student’s stoop about the shoulders. Those decided almost shaggy eyebrows he has would lead you to expect quick, piercing eyes,—the eyes of the observant man of action. But now that he looks towards us, you see instead eyes of hazel, large, slow-rolling, often dreamy in their gaze,—such for size and lustre as Homer gives to ox-eyed Juno. The mouth, too, and the nose are delicately cut. Their outline indicates taste rather than energy. Yet that massive jaw, again, gives promise of quiet power,—betokens a strength of that sort, most probably, which can persevere in a course once chosen with indomitable steadiness, but is not an agile combative force, inventive in assaults and rejoicing in adventurous leadership. Men of his species resemble fountains, whose water-column a sudden gust of wind may drive aslant, or scatter in spray across the lawn, but—the violence once past—they play upward as truly and as strong as ever. Perhaps it is a pity that this Henry Atherton is so rich as he is,—owns his Ashfield House, with its goodly grounds, and has never been forced into active professional life, with its rough collisions and straining anxieties. Abundance of leisure is a trial to which few men are equal. Gray was in the right when he said that something more of genius than common was required to teach a man how to employ himself. My friend became early his own task-master, and labours harder from choice than many from necessity. To high attainment as a classical scholar he has added a critical acquaintance with the literature and the leading languages of modern Europe. Upstairs is a noble library, rich especially in historical authorities, and there Atherton works, investigating now one historic question, now another, endeavouring out of old, yellow-faced annals to seize the precious passages which suggest the life of a time, and recording the result of all in piles of manuscript.