Now it is much better, I think, to put objections like these in all their strength, and to give them fair hearing. They will occur to many persons in the reading of these sermons. They will awaken a distrust and a perplexity which are not to be talked down by high words, or by telling men that if they do not sufficiently admire these mystics, so much the worse for them. One of the objections thus urged is logically unanswerable. If Eckart and Plotinus both succeed in reducing their minds to a total emptiness of all memory, knowledge, and desire, in order to contemplate a super-essential Void, equally blank, the Christian and the heathen pantheist are indistinguishable. Vacuum A, would be a vacuum no longer if it contained anything to distinguish it from vacuum B; and to escape, in the most absolute sense, all distinction, is Eckart’s highest ambition. But it is to be remembered, first of all, that Tauler does not go so far as Eckart in his impatience of everything intelligible, conceivable, or utterable. And next, that, happily, neither Eckart, Tauler, nor any man, can really reduce himself to that total nescience and apathy demanded by the theory which makes personality a sin, knowledge an infirmity, imagination a folly. Humanity is still too strong for any such de-humanizing ideal. The Absolute of Tauler is not, like the Absolute of Plotinus, an abstraction above morality. His link between finite and infinite—his image of God, is moral, not metaphysical merely. It is his knowledge, first of all, of God in Christ which enables him to contemplate the Infinite, not as boundless being, but as unfathomable love. So he stands firm on the grand Christian foundation, and the Son is his way to the Father. Following Dionysius, that arch-mystagogue, he does indeed invite the trembling soul into the shadows of a Divine darkness, wherein no specific attribute or act is perceptible to the baffled sight. But across that profound obscure and utter silence, there floats, perceptible, some incense from the censer, of the Elder Brother—the eternal High Priest. It is a darkness, but such an one as we have when we close our eyes after spectacles of glory—a darkness luminous and living with the hovering residue of splendours visible no longer. It is a silence, but such an one as we have after sweet music—a silence still stirred by inward echoes, and repetitions, and floating fragments of melodies that have ceased to fall upon the ear. It seems a chilling purity, a hueless veil—but such a veil as the snowfall lays upon an Alpine church-yard, hiding all colour but not all form, and showing us still where the crosses are. By their fruits we know these mystics. No men animated by a love so Christ-like as was theirs, could have put an abstraction in the place of Christ.