If thou doest one work only, In that one work thou wilt fail; Use thou many ropes if any For the shifting of thy sail. Then will scarce a wind be stirring But thy canvas it shall fill; Not the near way as thou thoughtest, But through tempest as thou oughtest, Though not straightly, not less greatly, Thou shalt win the haven still. These verses have been called ‘Alfred Vaughan’s Psalm of Life.’ The lessons taught may be an encouragement to others, as they have been to the author’s son, in times of trial and disappointment. But it must not be supposed that at this time the author’s thoughts were all devoted to painful doubts and yearnings. He determined while in Germany to unite the labours of a literary man to the work of a pastor. His first plan was to take special periods of Church History and lay them before his readers in the form of dramas. He thus describes his idea:—‘I shall commence the series with Savonarola. I think it will not be necessary to pay regard to chronological order in the order of composition. I may afterwards take up Chrysostom, perhaps Hildebrand, endeavouring in all not merely to develop the character of the principal personage, but to give an exact picture of the religious and political spirit of the times. They must be dramas on the principles of _King John_ or _Henry IV._, rather than those of _Hamlet_ or _Macbeth_.’ With this scheme his father did not entirely agree, and the consequence was a considerable correspondence. Dr. Vaughan never doubted the genius of his son, or that something definite would come of his literary tastes, but he appears to have thought that the dramatic form was not a good way in which to bring the result of genuine hard work before the public. As it happened, none of these dramas saw the light, though the plan of the ‘Hours with the Mystics’ shows the strong attachment the author felt for that kind of writing, and it also shows the way in which he could overcome any difficulties arising from its peculiarities. The notion of gentlemen discussing the Mystics, over their wine and walnuts, or in the garden with the ladies in the twilight of a summer evening, has had to encounter the sneers of some harsh critics, but we cannot help thinking that advantage is gained by the device of these conversations, because the talking by various speakers affords an easy opportunity of glancing over many varying theories upon any subject at the same time, while the essayist would find it difficult to keep his line of argument clear, and at the same moment state the divergent lines of thought necessary for the right understanding of the position generally.