House and Home Papers: Seventh Edition — John Shaqi
House and Home Papers: Seventh EditionStowe, Harriet Beecher
General
House and Home Papers: Seventh Edition
Stowe, Harriet Beecher
Home economics
“I hate new furniture,” I remarked, in the bitterness of my soul. “I
hate anything new.”
My wife answered me discreetly, according to approved principles of
diplomacy. I was right. She sympathized with me. At the same time, it
was not necessary, she remarked, that we should keep a hole in our
sofa-cover and arm-chair; there would certainly be no harm in sending
them to the upholsterer’s to be new-covered; she didn’t much mind, for
her part, moving her plants to the south back-room, and the bird would
do well enough in the kitchen: I had often complained of him for singing
vociferously when I was reading aloud.
So our sofa went to the upholsterer’s; but the upholsterer was struck
with such horror at its clumsy, antiquated, unfashionable appearance,
that he felt bound to make representations to my wife and daughters:
positively, it would be better for them to get a new one, of a tempting
pattern, which he showed them, than to try to do anything with that.
With a stitch or so here and there it might do for a basement
dining-room; but, for a parlor, he gave it as his disinterested
opinion,—he must say, if the case were his own, he should get, etc.,
etc. In short, we had a new sofa and new chairs, and the plants and the
birds were banished, and some dark green blinds were put up to exclude
the sun from the parlor, and the blessed luminary was allowed there only
at rare intervals, when my wife and daughters were out shopping, and I
acted out my uncivilized male instincts by pulling up every shade and
vivifying the apartment as in days of old.
But this was not the worst of it. The new furniture and new carpet
formed an opposition party in the room. I believe in my heart that for
every little household fairy that went out with the dear old things
there came in a tribe of discontented brownies with the new ones. These
little wretches were always twitching at the gowns of my wife and
daughters, jogging their elbows, and suggesting odious comparisons
between the smart new articles and what remained of the old ones. They
disparaged my writing-table in the corner; they disparaged the
old-fashioned lounge in the other corner, which had been the maternal
throne for years; they disparaged the work-table, the work-basket, with
constant suggestions of how such things as these would look in certain
well-kept parlors where new-fashioned furniture of the same sort as ours
existed.
“We don’t have any parlor,” said Jenny, one day. “Our parlor has always
been a sort of log-cabin,—library, study, nursery, greenhouse, all
combined. We never have had things like other people.”
“Yes, and this open fire makes such a dust; and this carpet is one that
shows every speck of dust; it keeps one always on the watch.”
Public-domain text, read in full here on John Shaqi.
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