House and Home Papers: Seventh EditionStowe, Harriet Beecher
General
House and Home Papers: Seventh Edition
Stowe, Harriet Beecher
Home economics
Then comes the tug of war. The young wife becomes a mother, and while
she is retired to her chamber, blundering Biddy rusts the elegant
knives, or takes off the ivory handles by soaking in hot water,—the
silver is washed in greasy soap-suds, and refreshed now and then with a
thump, which cocks the nose of the teapot awry, or makes the handle
assume an air of drunken defiance. The fragile China is chipped here and
there around its edges with those minute gaps so vexatious to a woman’s
soul; the handles fly hither and thither in the wild confusion of
Biddy’s washing-day hurry, when cook wants her to help hang out the
clothes. Meanwhile, Bridget sweeps the parlor with a hard broom, and
shakes out showers of ashes from the grate, forgetting to cover the
damask lounges, and they directly look as rusty and time-worn as if they
had come from an auction-store; and all together unite in making such
havoc of the delicate ruffles and laces of the bridal outfit and
baby-_layette_, that, when the poor young wife comes out of her chamber
after her nurse has left her, and, weakened and embarrassed with the
demands of the new-comer, begins to look once more into the affairs of
her little world, she is ready to sink with vexation and discouragement.
Poor little princess. Her clothes are made as princesses wear them, her
baby’s clothes like a young duke’s, her house furnished like a lord’s,
and only Bridget and Biddy and Polly to do the work of cook,
scullery-maid, butler, footman, laundress, nursery-maid, house-maid, and
lady’s maid. Such is the array that in the Old Country would be deemed
necessary to take care of an establishment got up like hers. Everything
in it is _too fine_,—not too fine to be pretty, not in bad taste in
itself, but too fine for the situation, too fine for comfort or liberty.
What ensues in a house so furnished? Too often ceaseless fretting of the
nerves, in the wife’s despairing, conscientious efforts to keep things
as they should be. There is no freedom in a house where things are too
expensive and choice to be freely handled and easily replaced. Life
becomes a series of petty embarrassments and restrictions, something is
always going wrong, and the man finds his fireside oppressive,—the
various articles of his parlor and table seem like so many temper-traps
and spring-guns, menacing explosion and disaster.
Public-domain text, read in full here on John Shaqi.
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