“But now, papa, after all you say in your piece there, I cannot help feeling, that, if I had the taste and the money too, it would be better than the taste alone with no money. I like the nice arrangements and the books and the drawings; but I think all these would appear better still with really elegant furniture.” “Who doubts that?” said I. “Give me a large tub of gold coin to dip into, and the furnishing and beautifying of a house is a simple affair. The same taste that could make beauty out of cents and dimes could make it more abundantly out of dollars and eagles. But I have been speaking for those who have not, and cannot get, riches, and who wish to have agreeable houses; and I begin in the outset by saying that beauty is a thing to be respected, reverenced, and devoutly cared for,—and then I say that BEAUTY IS CHEAP, nay, to put it so that the shrewdest Yankee will understand it, BEAUTY IS THE CHEAPEST THING YOU CAN HAVE, because in many ways it is a substitute for expense. A few vases of flowers in a room, a few blooming, well-kept plants, a few prints framed in fanciful frames of cheap domestic fabric, a statuette, a bracket, an engraving, a pencil-sketch, above all, a few choice books,—all these arranged by a woman who has the gift in her finger-ends often produce such an illusion on the mind’s eye that one goes away without once having noticed that the cushion of the arm-chair was worn out, and that some veneering had fallen off the centre-table. “I have a friend, a schoolmistress, who lives in a poor little cottage enough, which, let alone of the Graces, might seem mean and sordid, but a few flowerseeds and a little weeding in the spring make it, all summer, an object which everybody stops to look at. Her æsthetic soul was at first greatly tried with the water-barrel which stood under the eaves spout,—a most necessary evil, since only thus could her scanty supply of soft water for domestic purposes be secured. One of the Graces, however, suggested to her a happy thought. She planted a row of morning-glories round the bottom of her barrel, and drove a row of tacks around the top, and strung her water-butt with twine, like a great harpsichord. A few weeks covered the twine with blossoming plants, which every morning were a mass of many-colored airy blooms, waving in graceful sprays, and looking at themselves in the water. The water-barrel, in fact, became a celebrated stroke of ornamental gardening, which the neighbors came to look at.”