The simpler the dress worn by the ladies who are "at home," the better
the taste shown. Here again we may learn much from the French, who
perfectly understand the art of _demi-toilette_.
Our theatres and concert-rooms are filled night after night by people
who pay to be entertained. They never take food in their pockets, and
the passing to and fro of sellers of refreshment is felt to be a
nuisance. Why should people who have dined late be supposed to want
supper, unless they have been dancing, or are sitting up later than is
good for them? And the proof that they do not want it is in the very
little they take of it, except some stout elderly ladies who prepared
for it before they came, and who consequently have felt too low all the
evening to be moderately cheerful.
People who dine early always make a solid tea about six o'clock. It is
only the _bourgeois_ class who love their hot suppers, and the taste
stamps them.
How can we use hospitality one towards another without grudging, when,
instead of being able to rejoice that a friend is sharing our daily
pursuits and repasts, we must spend a fortune in jellies, pastry, and
unwholesome sweets, whenever we invite our friends inside our doors;
when we are compelled to import from the confectioner piles of plates,
dishes, and hired cutlery, turn our houses into scenes of confusion
for a week, and feed our children upon what have been aptly called
"brass knockers," the remains of the feast? No wonder most of us
dread giving a party! No; I would have special banquets on special
occasions--Christmas, comings of age, marriages, silver, and above all
golden, weddings, welcomes from abroad, and other joyful days. But our
enjoyment of society need not be limited to such observances as these,
but rather the crop of friendship increased by attentive cultivation.
"Has friendship increased?" asks wise Sir Arthur Helps. "Anxious as I
am to show the uniformity of human life, I should say that this, one of
the greatest soothers of human misery, has decreased."
Lady Morgan, an experienced leader of society, used to tell me, "My
dear, give them plenty of wax-candles and people will enjoy
themselves;" to which I add, manage the music well, and teach your
daughters to help you, and cultivate musical young men, keeping,
however, the law in your own hands.
Almost the only art we have not spoiled by machinery is music--for we
do not consider the barrel-organ in the light of music.
Perhaps it is because in this art we had scope for invention, not
finding a good thing ready made to our hands by the Greeks, which we
might imitate mechanically, and become slaves of its tradition.
Possibly it is a blessing in disguise that the music of the ancients is
lost to us, for having no models we have no fetters.
There is, however, in music, less liberty for the performer than for
the master-inventor; and this is as it should be: we interpret his
greater mind. Wilful music is seldom pleasing.
Public-domain text, read in full here on John Shaqi.
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