What Ruskin says about truth of line in drawing applies equally to
music: In the rapid passages of a _presto_ by Beethoven, the audience
at St. James's Hall would know if Hallé played one single note out,
even if he slightly touched the corner of a wrong black key; for our
ears have been wonderfully trained. And the time must be as accurate as
the tone, and the proper degree of light and shade must be expressed,
or you are no master. What must it be to be the creator of the music
which it is so difficult even to copy!
Yet in our drawing-rooms we permit people to talk all the time music is
being played, showing respect neither to the composition nor to the
performer. This should not be, and abroad this ill-bred custom has not
obtained.
There is, however, something to be said on the other side. The music we
hear in society is frequently either flimsy and not worth studying; or
it is too difficult for the capacity of the performer, perhaps having
been learnt in too idle a manner, in which case conversation shields
the composer.
But the chief cause of the distressing rudeness complained of, is that
there is too much music at a party, and it is not well arranged. Glees
are got up and fail deplorably; harps and flutes are not in tune with
other instruments; people accompany songs they have never seen before;
and much time and talk are consumed in wishing for absent tenor or bass
voices. A little good music would have been delightful; the noise of so
many imperfect efforts is only a bore.
In our parties we carelessly lose Nature's purest delights: those which
appeal most strongly to our finest perceptions. Is it not true
enjoyment to sit among the roses on a balcony listening to a sweet
voice within singing an air of Schubert or Mozart? And if the charm be
enhanced by moonlight, it is a pleasure for the gods!
It is true that roses will not flourish on London balconies, the
coal-smoke being so injurious to them; but pinks, and many other
fragrant flowers, grow well and easily, without the cost of frequent
renewal required for roses. The general use of window gardens, and the
due encouragement of greenery over our houses, would tend much to
improve our vitiated atmosphere, and we may have the gratification of
feeling that we are doing good to our neighbours while we cultivate
plants for our own benefit. Perhaps, by-and-by, a tax may be charged
upon every empty window-sill.
The front and back of every house would make a good-sized bit of
garden, only it will be perpendicular instead of horizontal. We ought
all to grow our own pears trained against the walls, as these ripen as
well in town as in the country; and most of us might dwell under our
own vines and fig-trees.
Public-domain text, read in full here on John Shaqi.
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