Household Words, No. 11, June 8, 1850 : $b A weekly journal — John Shaqi
Household Words, No. 11, June 8, 1850 : $b A weekly journal
General
Household Words, No. 11, June 8, 1850 : $b A weekly journal
English literature -- Periodicals
The use of coals has now extended, not only over the civilised world,
but in its potent form of steam has reached most of the remoter regions.
From Suez to Singapore are steam vessels already in course of passage,
and the line will soon be carried to Australia. When the American
locomotives have made their way to the shores of the Pacific, their
vessels will be ready to carry onward the traffic to China and the
Indian Islands from the east; “and thus,” as writes a learned critic,
discoursing of the virtues of steam-coal, “complete the circuit of the
globe.” Whereby, “a steam voyage round the world will in a few years, be
so practicable, that the merchant and tourist may make the circuit
within a year, and yet have time enough to see and learn much at many of
the principal ‘stations’ on his way.”
All rightful honour, then, to these priceless Diamonds—whether they be
black spirits or furnace-white, flame-red spirits, or ashy-grey—whether
cannel coal and caking coal—cherry coal and stone coal—whether any of
the forty kinds of Newcastle coal, or any of the seventy species of the
great family, from the highest class of the bituminous, down to the one
degree above old coke.
CHAPTER III.—THE COAL EXCHANGE.
Near to the Custom House rises one of the most ornate edifices in the
metropolis,—the Coal Exchange of London,—in which is carried on one of
our most stupendous trades.
It is Wednesday—a market day—we ascend the steps of a beautiful sort of
round tower, and pass through the folding swing-doors of the principal
entrance. The space here, or little vestibule, forms the base of the
centre of a well-staircase of iron. You look up, through the coiling
balustrades as they climb up to the top, and at the very top you see a
painting in the Rubens style of colouring, (though a long way _after_
Rubens in other respects,) of the figure of a prodigal lady, who is
upsetting a cornucopia, full—_not_ of coals—but of all the most richly
coloured fruits of Italy and the East, which seem about to descend
straight through the centre of the well-staircase, and shower down upon
your wondering and expectant head. Cupids—or, at least, little chubby
boys, tumbling in the air—are also in attendance on this theatrical
Goddess of Abundance.
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