In the fifteenth century, a certain feeble lamp of art arose in the Italian town of Urbino. This poor light, Raphael Sanzio by name, better known to a few miserably mistaken wretches in these later days, as Raphael (another burned at the same time, called Titian), was fed with a preposterous idea of Beauty—with a ridiculous power of etherealising, and exalting to the very Heaven of Heavens, what was most sublime and lovely in the expression of the human face divine on Earth—with the truly contemptible conceit of finding in poor humanity the fallen likeness of the angels of God, and raising it up again to their pure spiritual condition. This very fantastic whim effected a low revolution in Art, in this wise, that Beauty came to be regarded as one of its indispensable elements. In this very poor delusion, Artists have continued until this present nineteenth century, when it was reserved for some bold aspirants to “put it down.” The Pre-Raphael Brotherhood, Ladies and Gentlemen, is the dread Tribunal which is to set this matter right. Walk up, walk up; and here, conspicuous on the wall of the Royal Academy of Art in England, in the eighty-second year of their annual exhibition, you shall see what this new Holy Brotherhood, this terrible Police that is to disperse all Post-Raphael offenders, has “been and done!” You come—in this Royal Academy Exhibition, which is familiar with the works of WILKIE, COLLINS, ETTY, EASTLAKE, MULREADY, LESLIE, MACLISE, TURNER, STANFIELD, LANDSEER, ROBERTS, DANBY, CRESWICK, LEE, WEBSTER, HERBERT, DYCE, COPE, and others who would have been renowned as great masters in any age or country—you come, in this place, to the contemplation of a Holy Family. You will have the goodness to discharge from your minds all Post-Raphael ideas, all religious aspirations, all elevating thoughts; all tender, awful, sorrowful, ennobling, sacred, graceful, or beautiful associations; and to prepare yourselves, as befits such a subject—Pre-Raphaelly considered—for the lowest depths of what is mean, odious, repulsive, and revolting.