Household words, No. 23, August 31, 1850 : $b A weekly journal
General
Household words, No. 23, August 31, 1850 : $b A weekly journal
English literature -- Periodicals
It is like the Mill of the child’s story, that ground old people young.
Paper! White, pure, spick and span new paper, with that fresh smell
which takes us back to school and school-books; can it ever come from
rags like these? Is it from such bales of dusty rags, native and
foreign, of every colour and of every kind, as now environ us, shutting
out the summer air and putting cotton into our summer ears, that virgin
paper, to be written on, and printed on, proceeds? We shall see
presently. Enough to consider, at present, what a grave of dress this
rag-store is; what a lesson of vanity it preaches. The coarse blouse of
the Flemish labourer, and the fine cambric of the Parisian lady, the
court dress of the Austrian jailer, and the miserable garb of the
Italian peasant; the woollen petticoat of the Bavarian girl, the linen
head-dress of the Neapolitan woman, the priest’s vestment, the player’s
robe, the Cardinal’s hat, and the ploughman’s nightcap; all dwindle down
to this, and bring their littleness or greatness in fractional portions
here. As it is with the worn, it shall be with the wearers; but there
shall be no dust in our eyes then, though there is plenty now. Not all
the great ones of the earth will raise a grain of it, and nothing but
the Truth will be.
My conductor leads the way into another room. I am to go, as the rags
go, regularly and systematically through the Mill. I am to suppose
myself a bale of rags. I _am_ rags.
Here, in another room, are some three-score women at little tables, each
with an awful scythe-shaped knife standing erect upon it, and looking
like the veritable tooth of time. I am distributed among these women,
and worried into smaller shreds—torn cross-wise at the knives. Already I
begin to lose something of my grosser nature. The room is filled with my
finest dust, and, as gratings of me drop from the knives, they fall
through the perforated surface of the tables into receptacles beneath.
When I am small enough, I am bundled up, carried away in baskets, and
stowed in immense bins, until they want me in the Boiling-Room.
The Boiling-Room has enormous cauldrons in it, each with its own big
lid, hanging to the beams of the roof, and put on by machinery when it
is full. It is a very clean place, “coddled” by much boiling, like a
washer-woman’s fingers, and looks as if the kitchen of the Parish Union
had gone into partnership with the Church Belfry. Here, I am pressed,
and squeezed, and jammed, a dozen feet deep, I should think, into my own
particular cauldron; where I simmer, boil, and stew, a long, long time.
Then, I am a dense, tight mass, cut out in pieces like so much clay—very
clean—faint as to my colour—greatly purified—and gradually becoming
quite ethereal.
Public-domain text, read in full here on John Shaqi.
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