They had not advanced much further when they came to a wooden barricade,
which appeared to close their journey abruptly. But it proved to be a
door, and swung open of its own accord as they approached. No sooner
were they through, than the door again closed, apparently of its own
careful good will and pleasure. The road was still through cuttings in
the solid coal, varied occasionally with a few yards of red sandstone,
or with brick walls and timbers as previously described. Other horses
drawing little black coal-waggons were now encountered; sometimes two
horses drawing two or more waggons, and these passed by in the same
unpleasant proximity. More _Sesame_ doors were also opened and shut as
before; but Flashley at length perceived that this was not effected by
any process of the black art, as he had imagined, but by a very little
and very lonely imp, who was planted behind the door in a toad-squat,
and on this latter occasion was honoured by his guide with the title of
an ‘infernal small _trapper_,’ in allusion to some neglect of duty on a
previous occasion. It was, in truth, a poor child of nine years of age,
one of the victims of poverty, of bad parents, and the worst management,
to whose charge the safety of the whole mine, with the lives of all
within it, was committed; the requisite ventilation depending on the
careful closing of these doors by the trapper-boys, after anybody has
passed.
Proceeding in this way, they arrived at a side-working close upon the
high-road, in which immense ledges of rocks and stones projected from
the roof, being embedded in the coal. In cutting away the coal there was
danger of loosening and bringing down some of these stones, which might
crush the miners working beneath. A ‘council’ was now being held at the
entrance, where seven experienced ‘undergoers’ were lying flat on the
ground, smoking, with wise looks, in Indian fashion, and considering the
best mode of attack, whereby they might bring down the coals without
being ‘mashed up’ by the premature fall of the rocks and stones together
with the black masses in which they were embedded.
Among all the gloomy and oppressive feelings induced by this journey
between dismal walls—faintly lighted, at best, so as to display a most
forbidding succession of ugly shadows and grotesque outlines—and
sometimes not lighted at all for a quarter of a mile; there was nothing
more painful than the long pauses of silence; a silence only broken by
the distant banging of the trappers’ doors, or by an avalanche of coal
in some remote working. After advancing in a silence of longer duration
than any that had preceded it, Flashley’s dark conductor paused every
now and then, and listened—then advanced; then stopped again
thoughtfully, and listened. At length he stopped with gradual paces, and
turning to Flashley, said in a deep tone, the calmness of which added
solemnity to the announcement,—
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account