Observe! John Styles, who has committed the felony has been ‘living
quite a careless life.’ That is his worst opinion of it, whereas his
companions who did not commit the felony are ‘wretched companions.’ John
saw _his_ ‘folly,’ and sees _their_ ‘wicked course.’ It is playhouses
and theatres which many unfelonious people go to, that prey upon John’s
mind—not felony. John is shut up in that pulpit to lecture his
companions and his sister, about the wickedness of the unfelonious
world. Always supposing him to be sincere, is there no exaggeration of
himself in this? Go to church where I can go, and don’t go to theatres
where I can’t! Is there any tinge of the fox and the grapes in it? Is
this the kind of penitence that will wear outside! Put the case that he
had written, of his own mind, ‘My dear sister, I feel that I have
disgraced you and all who should be dear to me, and if it please God
that I live to be free, I will try hard to repair that, and to be a
credit to you. My dear sister, when I committed this felony, I stole
something—and these pining five months have not put it back—and I will
work my fingers to the bone to make restitution, and oh! my dear sister,
seek out my late companions, and tell Tom Jones, that poor boy, who was
younger and littler than me, that I am grieved I ever led him so wrong,
and I am suffering for it now!’ Would that be better? Would it be more
like solid truth?
But no. This is not the pattern penitence. There would seem to be a
pattern penitence, of a particular form, shape, limits, and dimensions,
like the cells. While Mr. Field is correcting his proof-sheets for the
press, another letter is brought to him, and in that letter too, that
man, also a felon, speaks of his ‘past folly,’ and lectures his mother
about labouring under ‘strong delusions of the devil.’ Does this
overweening readiness to lecture other people, suggest the suspicion of
any parrot-like imitation of Mr. Field, who lectures him, and any
presumptuous confounding of their relative positions?
Public-domain text, read in full here on John Shaqi.
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