How Deacon Tubman and Parson Whitney Kept New Year's: And Other StoriesMurray, W. H. H. (William Henry Harrison)
General
How Deacon Tubman and Parson Whitney Kept New Year's: And Other Stories
Murray, W. H. H. (William Henry Harrison)
Fiction; Short stories
But in response to this appeal the dog gave no motion, for, indeed, his
strength, like a tide ebbing in the night, was gliding silently and
swiftly outward in the gloom, gliding outward and beyond all questioning
and answering, but he opened wide his glorious eyes and fixed them
steadily on his master's face with such a great love in their depths
that mortal might not doubt that in that love was hope and its
sustaining evidence; and then the fatal dimness crept along their edges,
the pure, sweet light faded away in their clear depths, and the
impenetrable shadow settled forever over the lustrous orbs. The lids at
last gradually closed as in sleep, and the beggar's dog, with his head
on his master's neck and his body resting on his bosom, lay dead.
[Illustration: Tail piece]
The Ball
[Illustration: Vignette Initial IT]
It was evening--dark, cool and starry. The earth and water lay hidden in
the dusky gloom. Above, the stars were at their brightest. They gleamed
and glowed, flashed and scintillated, like jewels fresh from the case.
Their fires were many-colored--orange, yellow, and red; and here and
there a great diamond, fastened into the zone of night, sent out its
intense, colorless brilliancy. Through all the air silence reigned. The
winds had died away, and the waters had settled to repose. No gurgle
along the shore: no splash against the great logs that made the wharf;
no bird of night calling to its mate. Outside all was still. Nature had
drawn the curtains around her couch, and, screened from sight, lay in
profound repose.
Within, all was light, and bustle, and gayety. From every window lights
streamed and flashed. The large parlors were alive with moving forms.
The piano, whose white keys were swept by whiter hands, tinkled and rang
in liveliest measure. The dance was at its height; and the very floor
seemed vibrant with the pressure of lively feet. The dancers advanced,
retired, wheeled and swayed in easy circles, swept up and down, and
across the floor in graceful lines.
Amid the happy scene the Old Trapper stood, his stalwart frame erect as
in his prime; while his great, strong face fairly beamed in benediction
upon the dancers. For his nature had within its depths that fine
capacity which enabled it to receive the brightness of surrounding
happiness and reflect it again.
It was a study to watch his face and mark the passage of changeful
moods; surprise, delight, and broad, warm-hearted humor, as they came to
and played across the responsive features. The man of the woods, of the
lonely shore, and of silence, seemed perfectly at home amid the noise
and commotion of human merry-making.
Public-domain text, read in full here on John Shaqi.
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