How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
So wrote John Ruskin in one of his flashes of genius, and never was word
truer. Architecture is the living voice of the past. Architecture is
history. By architecture the forefathers from whom we come relate to us
their progress in knowledge, their prowess in handicrafts, their
economic conditions, their sorrows, their rejoicings, their aspirations.
They wrote it down, those men and women whose blood is our blood, on
great stone pages of perennial beauty for us to read--_if only we
would_. By architecture we are linked in a grand solidarity with all
that has gone before, with the proud periods of history that thrill us
as we read, and with the tragic outbreaks of the oppressed that sadden
our spirit.
Whenever men have set themselves to forget this solidarity, their first
act has been to fling themselves in frenzy on cathedral and city hall.
In 1914 they forgot it, and mighty Rheims fell. They forgot that Bamburg
had learned its imagery from Rheims, that German Norbert, revered of St.
Bernard, had helped France in the days when Gothic art was in formation,
that he died bishop of Magdeburg, and Magdeburg is a Primary Gothic
cathedral in the land which frankly called the new architecture _opus
francigenum_. Would the civic halls of Noyon, Arras, St. Quentin, and
Ypres lie in ruins if Frankfort and Lübeck had remembered?
In 1793, man again thought to set up a barrier between himself and his
past, and he shattered the art treasures of a thousand years and tore
down the cathedrals of Cambrai, Arras, and Avranches; he tore down
Cluny, the greatest Romanesque church in the world, Cluny the civilizer,
that had removed from agriculture its stigma as serfs' work. Man fancied
that to shatter and demolish was to build.
Again in 1562, a date most tragic in the annals of Gothic architecture,
men tried again to rear a wall of hate between themselves and the
generations gone before, and the cathedral of Orléans met the fate of
Cluny and Cambrai, and from end to end of France images were
decapitated, and ancestors' tombs wrecked impiously--even the tombs of
spiritual ancestors who with painful journeyings afoot had brought the
gospel light. Whether you go to chapel or to temple to-day, to
meetinghouse or to cathedral, whether you worship under the open sky, be
you a reader of Marx or of Aquinas, you were robbed most piteously of
your patrimony in 1562, in 1793, in 1914.
Public-domain text, read in full here on John Shaqi.
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