How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
Who has not watched the widening ripples of water spread from a center?
Even so is each one of us a center whence in ever-widening circles
stretch out our progenitors, embracing more and more men, more and more
women, rippling over the pitiful barricades of 1793, sweeping over the
factions of 1562, till by the time the widening ripple has reached the
age of St. Louis, the age of Suger, it is scientifically impossible that
we, in our very own forefathers, were not building some of the eighty
cathedrals and three hundred great minsters with which France was then
clothing herself as with a white mantle of churches. We were chatelaine,
and burgher's wife, we were villein's daughter and knight's son, and
side by side we harnessed ourselves to carts and dragged in the blocks
for the tower at Chartres and the belfry at Rouen, and the canticles we
sang during our voluntary servitude passed into the stones and are still
chanting there--_if only we would listen_. No visionary notion this, but
science and history. By architecture we remember.
Of our kin was the bishop who sacrificed his revenue to rear God's
house. Of our kin were the architects, masters of the living stone, who
with inspiration conceived their shrines of Notre Dame and were trained
soundly enough in mason craft to achieve their dreams; of our kin were
the artisans who put up the serene images at cathedral doors for the
edification of the people, and chiseled with warm, loving touches the
running bramble of the roadside. Even botany is to be learned in
mediæval cathedrals. Not a leaf that grows in Champagne to-day but was
carved on the walls of Rheims seven hundred years ago. Against the big
capitals of Paris Cathedral they laid the broad plantain leaf of the
marshy Oise, then, seeing around them that indigenous acanthus, the
uncurling fern, they carved it, too, and as they grew adept with chisel
they wrought ivy and vine leaf, parsley and holly, and in time,
intoxicated with their skill, they undercut the rich foliage and
serrated the lobes and curled the leaf edges, till summer ran riot in
stone and the architectural line was well-nigh lost sight of in sheer
joy of nature's glad livery.
Public-domain text, read in full here on John Shaqi.
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