How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Next morning I decided to try and film the mitrailleuse outpost on a
little spot of land in the floods, only connected by a narrow strip of
grass-land just high enough to be out of reach of the water. Still
keeping low under cover of the trenches, I made my way in that
direction. Several officers tried to persuade me not to go, but knowing
it would make an excellent scene, I decided to risk it. On the side of
the bank nearest our front line the ground sloped at a more abrupt
angle, the distance from the trench to the outpost being about sixty
yards. Rushing over the top of the parapet, I got to the edge of the
grass road and crouched down. The water up to my knees, I made my way
carefully along. Twice I stumbled over dead bodies. At last I reached
the outpost safely, but during the last few yards I must have raised
myself a little too high, for the next minute several bullets splashed
into the water where I had been.
The outpost was very surprised when I made my appearance, and expressed
astonishment that I had not been shot. "A miss is as good as a mile," I
laughingly replied, and then I told them I had come to film them at
work. This I proceeded to do, and got an excellent scene of the
mitrailleuse in action, and the other section loading up. The frightful
slaughter done by these guns is indescribable. Nothing can possibly live
under the concentrated fire of these weapons, as the Germans found to
their cost that day.
After getting my scenes, I thanked the officer, and was about to make my
way back; but he forbade me to risk it, telling me to wait until night
and return under cover of the darkness. To this I agreed, and that night
left the outpost with the others when the relief party came up.
Shortly after news was received that we were to be relieved from duty in
the trenches for the next forty-eight hours; the relief column was on
its way to take our places. I was delighted, for I had been wet through
during the days and nights I had been there, but was fully satisfied
that I had got some real live films. Hastily packing up my equipment, I
stood waiting the signal to move off. At last the relief came up.
Holding each other's hands, we carefully made our way in Indian file
along the trench, on to the road, and into Ramscapelle.
[Illustration: WITH A GROUP OF BELGIAN OFFICERS AT FURNES, BELGIUM,
1914. ONE OF THEM USED TO ACT AS MY COURIER]
[Illustration: ON SKIS IN THE VOSGES MOUNTAINS JUST BEFORE THE FRENCH
ATTACK, FEBRUARY AND MARCH, 1915]
What a terrible sight it was! The skeletons of houses stood grim and
gaunt, and the sound of the wind rushing through the ruins was like the
moaning of the spirits of the dead inhabitants crying aloud for
vengeance. The sounds increased in volume as we neared this scene of
awful desolation, and the groans became a crescendo of shrieks which,
combined with the crash of shell-fire, made one's blood run cold.
Public-domain text, read in full here on John Shaqi.
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