How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
"We will get along," said my companion. "I want to visit Bovincourt and
Vraignes before nightfall, though I am afraid we shall not do it. By
making a detour round these ruins I believe we shall strike the main
road further down."
I followed him through the ruins and, after bouncing over innumerable
bricks and beams, we reached the main road. We passed through
Estrées-en-Chaussée. One large barn was only standing; everything was as
quiet as the grave; columns of smoke were still rising from the ruins.
Another jamming on of brakes brought us to a standstill at a
cross-roads; another huge mine-crater was in front of us and it was most
difficult to see until we were well upon it. There was nothing to do but
to take to the fields--our road was at right angles to the one we were
traversing.
I examined the ground, it was very soft, and the newly scattered earth
and clay from the mine made it much worse.
"If we get stuck," I thought, "there is nobody about to help us out."
The captain tried and got over.
I yelled out that I would follow; they disappeared in the direction of
Bovincourt. Backing my car to get a good start I let it go over the edge
of the road into the field. It was like going through pudding. The near
wheels roared round without gripping. Then it happened! We were stuck! A
fine predicament, I thought, with prowling enemy patrols about and no
rifle.
"All shoulders to the wheel," I said. By digging, and jamming wood,
sacking and straw under the wheels we managed, after three-quarters of
an hour, to get it out. Jove! what a time it was! And so on the road
again.
"We will get into Bovincourt," I said. "Let her go; I may meet the
others."
The feeling was uncanny and my position strange, for all I knew Bosches
were all around me (and later on this proved to be the case).
Night was falling, and ere I reached the village it was quite impossible
to take any scenes.
At the entrance to the village I ran into several people who crowded
round the car, crying and laughing in their relief at seeing the British
arrive. Old men and women who could barely move hobbled forward to shake
hands, with tears in their eyes. They clambered in and around the car,
and it was only by making them understand that I would return on the
following day that they allowed the car to proceed. The sight was
wonderful and I wish I were able to describe it better.
I could not find the other car, so, assuming it had gone back, I decided
to return as far as Brie and stay the night. As I was leaving the
village a burst of machine-gun fire rang out close by followed by
violent rifle-shots.
"Let her go," I said to my chauffeur. "I am not at all anxious to get
pipped out here. My films must not fall into enemy hands."
Public-domain text, read in full here on John Shaqi.
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