How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
The Captain returned and, after explanations, made me understand that he
would accept no responsibility for my safety. Those conditions I did not
mind a scrap. Rolling myself in a blanket, I tumbled in. "What would the
morrow bring forth?" I wondered.
I was up next morning at four o'clock. Everywhere there was a state of
suppressed excitement. Outside the men were preparing, but there was
not the least sign of confusion anywhere. To look at them one would not
imagine these men were going out to fight, knowing that some of them at
least would not return again. But it is war, and sentiment has no place
in their thoughts.
The order came to line up. Hours before the scouts had gone out to
prepare the ground. They had not returned yet. Personally, I hoped they
would not turn up till the day was a little more advanced. Eight
o'clock; still not sufficient light for filming. A lieutenant came to
me, and said if I would go carefully along the sand-dunes in the
direction he suggested, possibly it would be better; he would say no
more. I did so; and I had only gone about half a kilometre when,
chancing to turn back, I spied coming over the dunes on my right two
scouts, running for all they were worth.
Quietly getting my camera into position, I started exposing, being
certain this was the opening of the attack. I was not mistaken, for
within a few minutes the advance guard came hurrying up in the distance;
the attack was about to begin. Suddenly the French guns opened fire;
they were concealed some distance in the rear. Shells then went at it
thick and fast, shrieking one after the other overhead.
The advance guard opened out, clambered up the dunes, and disappeared
over the top, I filming them. I waited until the supporting column came
up, and filmed them also. I followed them up and over the dunes.
Deploying along the top, they spread out about six metres apart, with
the object of deceiving the Germans as to their numbers, until the
supporting column reached them. The battle of musketry then rang out.
Cautiously advancing with a company, I filmed them take the offensive
and make for a large dune forty yards ahead. Successfully reaching it
they lay down and fired in rapid succession. Crawling up, I managed to
take a fine scene of the attack, showing the explosion of two French
shells over the ruins of the town. The Germans evidently found our
range, for several shells came whistling unpleasantly near me.
What followed was a succession of scenes, showing the covering columns
advancing and others moving round on the flank. The Germans lost very
heavily in this engagement, and great progress was made by the gallant
French. While filming a section of the flanking party, I had the nearest
acquaintance with a shell that I shall ever wish for. I don't think it
would have been the good fortune of many to have such an experience and
come scathless out of it.
Public-domain text, read in full here on John Shaqi.
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