How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc. — John Shaqi
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
I raised myself ever so little to glance over the top of my scrap of
sheltering wall, and away across the valley, on the crest of the other
hill, I could see specks which were the Germans. They appeared to be
massing ready for a charge, but the scene was too far away for the
camera to record it with any distinctness.
I therefore swept round again to the French lines, to meet the splendid
sight of the French reserves dashing up over the hill behind me to the
support. Every man seemed animated by the one idea--to take the hill.
There was a swing, an air of irresistibility about them that was
magnificent. But even in the midst of enthusiasm my trained sense told
me that my position must have been visible to some of them, and that it
was time for me to move.
I edged my way along the broken stumps of wall to the shelter of a wood,
and there, with bullets from snipers occasionally sending twigs, leaves,
and even branches pattering down around me, with shells bursting all
round, I continued to film the general attack until the spool in the
camera ran out. To have changed spools there would have been the height
of folly, so I plunged down a side path, where in the shelter of a dell,
with thick undergrowth, I loaded up my camera again, and utterly
careless of direction, made a dash for the edge of the wood again,
emerging just in time to catch the passage of a French regiment
advancing along the edge of the wood to cut off the retreat of the
little party of Germans who had been endeavouring to hold it as an
advanced sniping-post.
Snipers seemed to be in every tree. Bullets whistled down like acorns in
the autumn breeze, but the French suddenly formed a semi-circle and
pushed right into the wood, driving the enemy from their perches in the
trees or shooting them as they scrambled down.
Through the wood I plunged, utterly ignoring every danger, both from
friend or foe, in the thrill of that wonderful "drive." Luck, however,
was with me. Neither the French nor the Germans seemed to see me, and we
all suddenly came out of the wood at the far side, and I then managed to
get a splendid picture of the end of the pursuit, when the French, wild
with excitement at their success in clearing the district of the enemy,
plunged madly down the hill in chase of the last remnants of the sniping
band.
A few seconds later I darted back into the cover of the trees.
My mission was accomplished. I had secured pictures of actual events in
the Vosges. But that was the least part of my work. I had to get the
film to London.
Public-domain text, read in full here on John Shaqi.
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