How Music Developed: A Critical and Explanatory Account of the Growth of Modern MusicHenderson, W. J. (William James)
History
How Music Developed: A Critical and Explanatory Account of the Growth of Modern Music
Henderson, W. J. (William James)
Music -- History and criticism
Jannequin, Clement, 39, 45;
compositions of, 46;
his "Cris de Paris," 48;
his "Le Bataille," 48.
"Jephthah," Carissimi's, 204.
"Jephthah's Vow," Meyerbeer's, 324.
Jews, the, 2, 212.
John George I., the Elector of Saxony, 336.
John of Forneste, 28.
Jomelli, 221.
Jongleurs, the, 55, 56, 62.
"Joseph," Méhul's, 322.
Josephus, 84.
Josquin. See _Des Prés, Josquin_.
Joyeuse, the Duke de, 291.
"Judas Maccabæus," Handel's, 207.
Judea, 2.
"Judgment of the Hamadryads, The," 236.
"Juive, La," Halévy's, 323.
"Jupiter" symphony, Mozart's, 164.
Keiser, Reinhard, operas of, 339.
Kettle drums, 153, 162.
Key contrasts, 128.
Keys,
the arrangement of the distribution of, 130;
Beethoven's freedom with, 143.
Keyboard, the, invention of, 85.
_Kinnor_, the Hebrew, 84.
Kirkman, the harpsichord builder, 92.
Köstritz, Saxony, 209.
"Kothner," 59.
Krehbiel, H. E., 238;
on Weber's theory of the lyric drama, 351;
on Weber's genius, 352.
"Kreuzer" sonata, Beethoven's, 145.
Kusser, Johann Sigismund, 338.
La Halle, Adam de, 56;
the "Gieus de Robin et de Marion," of, 292.
Landini, Francesco, the first organist, 102.
Laodicea, the Council of, forbids congregational singing, 3.
La Scala Theatre, Milan, 288.
Lasso, Orlando, 40, 49;
his Mater, mia cara, 49, 51-53;
his works, 49;
a complete master of counterpoint, 49;
his "Penitential Psalms," 50, 73;
his use of chromatics, 50, 51, 73, 80, 120, 387.
"Last Judgment, The," Spohr's, 225.
Last Supper, the, 2.
Lauda Sion, 9.
Laufenberg, Heinrich von, 60.
Lauska, 324.
"Legato," meaning of, 110.
Legend, the, Wagner's use of, 361.
Legendary stories, as subjects for librettos, 359.
"Leges Tabulaturæ," 59.
Legrenzi, Giovanni, 79, 80.
"Lehrcompendium," Zeelandia's, 60.
Leipsic, 121, 134, 339, 340, 357.
_Leit motiv_, Wagner's, 364, 365.
"Lenore," Burger's poem, 180.
"Lenore," Spohr's, 180.
Leo, 275.
Libretto, the, Weber's idea of, 351.
"Life of Bach, The," Spitta's, 120, 189.
"Limburg Chronicle," the, 59.
"Linda di Chamounix," Donizetti's, 280.
Liszt, Franz, 113;
his development of touch, 114;
his piano concertos, 179;
the inventor of the symphonic poem, 181;
his work, 181, 382, 387, 388.
Litany and Responses, Tallys', 80.
Liturgy, the church, 3, 6, 7, 36, 68, 385, 386.
"Locheimer Liederbuch," the 60.
Logroscino, 275.
"Lohengrin," Wagner's, 267-269, 329, 358, 360.
London, 137, 358.
Lorraine, Christine de, 236.
Lotti, Antonio,
works of, 79;
operas of, 271.
Louis XI., 40.
Louis XII., of France, 43.
Louis XIII., 294.
Louis XIV., 295, 301.
Louis XV., of France, 57.
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