How Music Developed: A Critical and Explanatory Account of the Growth of Modern MusicHenderson, W. J. (William James)
History
How Music Developed: A Critical and Explanatory Account of the Growth of Modern Music
Henderson, W. J. (William James)
Music -- History and criticism
"Lucia di Lammermoor," Donizetti's, 280.
"Lucio Silla," Mozart's, 340.
"Lucrezia Borgia," Donizetti's, 280.
Lulli, Giovanni Battista,
overtures of, 159;
the virtual founder of French grand opera, 300;
acquires the opera patent, 301, 302;
his operas, 302;
influence of his operas, 302;
criticism of his work, 302, 303, 307, 308;
his recitative, 306;
influence of Monteverde on, 306;
Rameau's improvements on the style of, 309-311, 312, 319, 328,
332, 334, 357.
Lully, Jean Baptiste. See _Lulli Giovanni Battista_.
Luscinius, Ottomarus, on the virginal, 91.
Lutes, 147, 148, 188, 250.
Luther, Martin, 44;
his music contrasted with that of the Roman Catholic Church, 71.
Lydgate, "Reson and Sensualité" of, 85.
Lyons, 10
Lyres, 239, 250.
Machaut. See _William of Machaut_.
Madrigals, 39;
Di Rore's, 47, 240.
Monteverde's, 260.
Maffei, Scipione, 93, 94.
Magdalen College, 63.
Magdeburg, the Cathedral of, 85.
"Mage, Le," Massenet's, 333.
Maggini, Giovanni Paolo, the violin maker, 150, 188.
Magnificat, the, 8.
Mailly, the Abbé, the "Akebar, Roi de Mogol" of, 295.
Mainz, 10.
Major key, the modern, introduction of, 214, 243, 261.
Malvezzi, 236.
Mancinus, Thomas, 209.
Mandolin, the, 92.
Mannheim, 164.
Mannheim band, Mozart's, 164, 165.
"Manon," Massenet's, 333.
Mantua, the home of opera, 253.
Mantua, the Duke of, 254.
Marais, Marin, 308.
Marchand, 308.
Marenzio, 236.
Margherita, Infanta of Savoy, 254.
Maria, the Empress, 78.
Marschner, Heinrich, music of, 355.
Marseilles, 334.
Mass, the, early arrangement of, 8.
Mass, the Marcellus, 72, 73.
"Massaniello," Auber's, 323.
Massenet, Jules Émile Frédéric, operas of, 333, 378.
Masses,
Machaut's, 34;
Dufay's, 36, 37;
Palestrina's, 72;
Anerio's, 78;
Lotti's, 79;
Mozart's, 80;
Beethoven's, 80;
Cherubini's, 80.
Masters, the Netherlands, 117, 119.
Masters, the Venetian, 122.
_Materia musicæ_, 385.
Matheson, the "Musikalische Kritik" of, 93.
Matthew, St., 212.
"Matona, mia cara," Lasso's madrigal, 49, 51-53.
"Matrimonia Segreto, Il," Cimarosa's, 276.
Maximilian I., Emperor of the Netherlands, 43.
Mazarin, Cardinal,
attempts to revive Italian opera in France, 295, 300.
Measure,
dual and triple, 12;
the musical, 17, 19.
"Medécin malgré lui, Le," 329.
Médicis, Catherine de, 290.
Medicis, Mary de, 245, 247.
"Mefistofele," Boito's, 284.
Méhul, Étienne Henri, operas of, 322, 323.
Meissen, Heinrich von, 56.
"Meistersinger, Die," Wagner's, 22, 63, 343, 358.
Meistersingers, the, 55;
become the musical lawgivers of Germany, 59;
the songs of, 59.
Meistersong, the, 60.
Public-domain text, read in full here on John Shaqi.
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