How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
All who have been milestones in music have been well educated, yet how
unjustly people say musicians know nothing but music. Many have not had
only culture from their studies, but also have come from refined homes.
So Schumann, born at Zwickau, Saxony, had an educated father, a
book-seller. His mother wanted Robert to be a lawyer, and did not wish
his musical talent to interfere. He began to compose and study music at
seven, but he studied law, literature and philosophy, later, at the
University of Leipsic.
After a year he went to the famous University of Heidelberg (1829),
which has always been proud that the great composer was one of its
students.
Schumann returned to Leipsic on account of the musical life. With his
return began the romance of his life, one of the most beautiful love
stories in musical history. He studied with Frederick Wieck, whose
little daughter Clara was a prodigy pianist. He became a member of the
household and was charmed by the talent of the child. Meanwhile he was
studying as pianist, and being ingenious, he invented an instrument to
develop his weak fourth finger, but it ruined his hand and unfitted him
for his career.
Now he gave more attention to composition and to musical criticism. This
gave him the chance to help some of the brilliant musicians of the day.
He brought Chopin to the notice of Germany, and proclaimed the genius of
young Johannes Brahms. He also formed a deep friendship for Mendelssohn.
Valuable as are all writings which reveal his thoughts, his richest gift
to the world was his music, in which he preached the gospel of beauty.
As Schumann grew into manhood he began to know the depths of sorrow,
some of his finest works having been an outburst of his tortured soul.
Clara Wieck was now a young woman and a great pianist. It was natural
that an affection should spring up between them. But Clara’s father had
greater hopes. He could not see a struggling young musician and critic
as the husband of his talented child. During this long and painful
courtship when Schumann dared not speak his love to Clara he wrote
compositions with which to tell his story, and she understood. One of
these expressions was the lovely _Warum_ asking the question, “Why?” so
longingly.
In those days a case could be brought into court and the reason demanded
why a parent should refuse to allow a marriage. Schumann went to law,
and the court decided that Wieck’s objections were without cause. But
the year of strain told upon his health and nerves and he began his
married life under a cloud of illness. The young pair were ideally
happy, he wrote glorious music, and she took pride in playing his piano
works on all her programs.
Public-domain text, read in full here on John Shaqi.
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