How music grew, from prehistoric times to the present day — John Shaqi
How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
To Pan, the god of woods and fields, of flocks and shepherds, is given
the credit of inventing the shepherd’s pipe, or Pan’s Pipes. He lived in
grottoes, wandered on the mountains and in the valleys, and amused
himself hunting, leading the dances of the nymphs, and playing on his
pipes.
PAN’S PIPES
A beautiful nymph named Syrinx was loved by Pan, but every time that he
tried to tell her of his love, she became frightened and ran away, for
Pan was a funny looking lover with goat’s legs, a man’s body, and long
pointed ears. One day he chased her through the woods to the bank of a
river; she called out in fright, and was suddenly changed by her friends
the Water Nymphs, into a clump of tall reeds. When he reached out to
embrace her, instead of Syrinx, he had the clump of reeds in his arms!
As he sighed in disappointment, his breath passing through the reeds,
produced a sad wail. Pan, hearing in it a plaintive song, broke off the
reeds in unequal lengths, bound them together, and made the first
musical instrument, which he called a syrinx in memory of his lost
sweetheart. These pipes comforted Pan, and he played many tender
melodies, and often without being seen, was known to be near by his
lovely music.
Pan, although adored, was feared. At one time, Brennus, a warrior, with
a company of Gauls (a tribe from ancient France), attacked the Temple of
Delphi (in Greece), and was about to destroy it, when suddenly they
turned and fled in fear although no one pursued them. Their terror was
supposed to have been of Pan’s making, and to this day we use the word
“panic” (Pan-ic) for all sudden overpowering fright.
APOLLO
Pan is supposed to have taught music to Apollo, the god of Music and of
the Sun. You have seen statues of him with a lyre in his hands. As Pan’s
pupil he learned to play the syrinx so beautifully that he won a prize
in a contest with Marsyas, a mortal who played the flute invented
(according to the Greek legend), by Pallas Athene. This goddess was
sometimes known as Musica or Musician. When Cupid saw her play the flute
he laughed at her because she made such queer faces. This angered her,
and she flung her flute away. It fell down from Mt. Olympus to the
earth, and Marsyas picked it up and became such a skilful player that he
challenged the god Apollo to a contest for flute championship of the
world! The day came and Apollo won the prize, but put Marsyas to death
for daring to challenge him—a god. Apollo afterwards was very sorry and
broke all the strings of his lyre and placed it with his flutes in a
haunt of Dionysus (god of Wine), to whom he consecrated these
instruments.
These stories are not only a part of the ancient Greek religion but they
have become, on account of their beauty, a rich source of plot and story
for the works of musicians, artists and writers from the days of
antiquity to our own time.
ORPHEUS
Public-domain text, read in full here on John Shaqi.
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