How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
Before leaving the Orientals, we want to cross the bridge with you
between the Orient (East) and the Occident (West). Sometimes we find the
same customs and ways of doing things in places very far apart.
Sometimes this likeness will appear in a religious ceremony, a dance or
song, a piece of pottery, or in a musical instrument. To find these
similarities makes one believe that at sometime in the world’s history,
these people so far away from each other, must have been closely
related. Such a likeness can be traced in the music of the ancient
Chinese and the Aztecs of Mexico, and the Incas of Peru, some of which
has been sung to us by Marguerite d’Alvarez, from Peru. The Peruvians
played pipes and had music in the same rhythm as the sacred chants of
the Chinese. The Mexicans had all kinds of drums, rattles, stones,
gongs, bells and cymbals which resemble the Chinese instruments. On the
other hand we read in Prescott’s _Conquest of Peru_ of a Sun Festival
which recalls the Sun Dance of our own American Indian. The Inca or the
ruler of Peru, his court and the entire population of the city met at
dawn in June and with the first rays of the sun, thousands of wind
instruments broke forth into “a majestic song of adoration” accompanied
by thousands of shouting voices.
From the kind of instruments that the Aztecs in Mexico used, we know
that their music was more barbaric than that of the Peruvians. A curious
combination of love for music and barbarism is shown in the custom they
had of appointing each year a youth to act as the God of music, whose
name _Tezcatlipoca_, he was given. He was presented with a beautiful
bride and for the one year he lived like a prince in the greatest
luxury. He learned to play the flute and whenever the people heard it,
they fell down and worshipped him! But this wonderful life was not all
it seemed, for at the end of the year the beautiful youth was offered as
a living sacrifice to the blood-thirsty God of Music whom he was
impersonating.
CHAPTER VI
The Arab Spreads Culture—The Gods Give Music to the Hindus
Arabia is the southwestern peninsula of Asia and is bounded by the Red
Sea, Persian Gulf and the Arabian Sea. It was well situated to come in
contact with the ancient nations of the world.
This story of Arabia and its music will include all those peoples to
whom the Arabs gave of their learning. Saracen, Mussulman, Mohammedan
and Islamite are different names for the same people, but they are all
Arabs, even though they are not Arabians living in Arabia.
Arab music fills in the gaps between the ancient civilizations, the
beginnings of early Christian music and the time of the Minnesingers and
the Troubadours.
Public-domain text, read in full here on John Shaqi.
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