How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
In the Battle of Hastings, Taillefer, a famous soldier-minstrel, led the
attack of the Normans, singing songs of Roland and of Charlemagne. He
struck the first blow in the fight, and was the first one killed, but he
went to his death singing. Tales of our own soldiers in the great war
tell us the same about the need and love of music.
CHANSON DE ROLAND
The _Chanson de Roland_ is the national epic poem of France, and dates
back to this Norman period. It celebrates the death at Roncevals, of
Roland, Count of the “Marsh” of Bretagne, in Charlemagne’s expedition
against Spain in 778. The work is divided into three parts. The first
tells of the fight between the French (Christians) and the Saracens
(Spanish Arabs), of the valor of Oliver and of Roland, of the latter’s
death, of Charlemagne’s miraculous victory over the Saracens. The second
part is a poem not based on fact, in which Charlemagne fights Baligant,
the chief of all the pagans of the Orient; the western chief is
victorious over the pagan chief, who is utterly defeated and killed.
This poem pictures the victory of Christianity over Paganism. In the
third part, the revenge is carried further, by Charlemagne’s taking the
Saracen city Saragosse, and bringing back with him to France another of
the leaders, Ganelon, who was tried and condemned to death.
This is the leading French work of the Middle Ages, as it sums up the
greatest idealism, and brings to us that which they considered most
vital—the call of patriotism, of honor and of duty.
GREAT CATHEDRALS AND FEUDAL CASTLES
About this time began the building of the great Gothic churches in
France, England, and Germany. Rome had fallen, paganism had gone, and
the spirit of Christianity was taking great hold of the people’s hearts.
As a result of this feeling to praise God suitably the great churches
which we copy even today were built.
If “architecture is frozen music,” you can understand why music and
architecture developed at the same time.
This was also the age of Feudalism, when the noblemen lived in castles
with moats and drawbridges, and owned vast tracts of land and whole
villages. People were retainers, vassals and serfs, with no freedom and
no property rights except what the lords gave them. They even had to
give their masters much of the produce of the lands which they
cultivated. Of course, these feudal lords besides having to be fed and
guarded had to be entertained, and had to know what was going on in the
outside world. So, the minstrels and bards were cordially welcomed, and
wandered from castle to castle, receiving presents of money or clothes,
jewelry, horses, and sometimes even houses.
WHAT TROUBADOURS LEARNED THROUGH CRUSADES
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account