How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
Every year during the early centuries of the Christian era, hundreds of
pilgrims journeyed to the Holy Land undergoing much hardship on the way.
They thought through this pilgrimage to be forgiven for their sins, and
win the approval of the Church, then far more powerful than the kings.
Toward the end of the 11th century, Mohammedans had seized Palestine,
and prevented the Christian pilgrims from doing penance or worshipping
at the Holy Sepulchre. This led to a series of expeditions against the
Mohammedans in Palestine in which all the Christian countries of Europe
united. These expeditions were called the Crusades (1095–1271), and they
have been celebrated in story and song ever since. The Crusades gave the
rough uncultured men of the Western world the chance to hear the poetry
and the songs of the Arabs (Chapter VI), who at that time were the most
advanced in culture and arts. Although the Oriental music with its
complicated rhythms must have been hard to learn, the Crusaders brought
back much of real value and beauty,—a new way of singing, new subjects
for poems, and two new instruments, a kind of guitar and _el oud_, in
Europe called lute. The lute had a strong influence on popular music,
for it was the most commonly used instrument for centuries.
ROMANCE LANGUAGES
Latin had been the language of France because the Romans lived there so
long, but later it became mixed with the rough dialect and speech of the
Franks and other Gothic barbarous tribes and was much changed. From this
mixture came rustic Latin, or _Romanse rustique_, and modern French,
Spanish, Italian and Portuguese are still called Romance languages. A
new poetry was born in Provence, the south of France, and in Normandy in
the north, written in this _Romanse rustique_, and the oldest French
songs were called _lais_, lay or ballad. The great ruler Charlemagne
collected these _lais_ of barbarian period and the trouvères and
troubadours had wonderful old songs of heroism to choose from.
In Provence they said “oc” for “yes” and in Normandy, “oui.” So, the
language of the south of France was called “langue d’oc” and of the
north “langue d’oui.”
TROUBADOURS, TROUVÈRES, JONGLEURS
The troubadours, whose very name brings to mind a charming picture of
romance, chivalry and adventure, were the poet-composers of Provence a
land of sunshine where men were brave and courteous, and women beautiful
and gracious. The words _troubadour_ and _trouvères_, come from
_trobar_, _trouver_, meaning to find or to invent, for these troubadours
and trouvères were the inventors or composers of poems which they set to
music.
Public-domain text, read in full here on John Shaqi.
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