How the Other Half Lives: Studies Among the Tenements of New YorkRiis, Jacob A. (Jacob August)
History
How the Other Half Lives: Studies Among the Tenements of New York
Riis, Jacob A. (Jacob August)
Poor -- New York (State) -- New York; Tenement houses -- New York (State) -- New York
When it is known that many of these old people have been sent to the
almshouse to die by their heartless children, for whom they had worked
faithfully as long as they were able, their growling and discontent is
not hard to understand. Bitter poverty threw them all "on the county,"
often on the wrong county at that. Very many of them are old-country
poor, sent, there is reason to believe, to America by the authorities
to get rid of the obligation to support them. "The almshouse," wrote a
good missionary, "affords a sad illustration of St. Paul's description
of the 'last days.' The class from which comes our poorhouse population
is to a large extent 'without natural affection.'" I was reminded by
his words of what my friend, the doctor, had said to me a little while
before: "Many a mother has told me at her child's death-bed, 'I cannot
afford to lose it. It costs too much to bury it.' And when the little
one did die there was no time for the mother's grief. The question
crowded on at once, 'where shall the money come from?' Natural feelings
and affections are smothered in the tenements." The doctor's experience
furnished a sadly appropriate text for the priest's sermon.
Pitiful as these are, sights and sounds infinitely more saddening
await us beyond the gate that shuts this world of woe off from one
whence the light of hope and reason have gone out together. The
shuffling of many feet on the macadamized roads heralds the approach
of a host of women, hundreds upon hundreds--beyond the turn in the
road they still keep coming, marching with the faltering step, the
unseeing look and the incessant, senseless chatter that betrays the
darkened mind. The lunatic women of the Blackwell's Island Asylum are
taking their afternoon walk. Beyond, on the wide lawn, moves another
still stranger procession, a file of women in the asylum dress of dull
gray, hitched to a queer little wagon that, with its gaudy adornments,
suggests a cross between a baby-carriage and a circus-chariot. One
crazy woman is strapped in the seat; forty tug at the rope to which
they are securely bound. This is the "chain-gang," so called once
in scoffing ignorance of the humane purpose the contrivance serves.
These are the patients afflicted with suicidal mania, who cannot be
trusted at large for a moment with the river in sight, yet must have
their daily walk as a necessary part of their treatment. So this wagon
was invented by a clever doctor to afford them at once exercise and
amusement. A merry-go-round in the grounds suggests a variation of this
scheme. Ghastly suggestion of mirth, with that stricken host advancing
on its aimless journey! As we stop to see it pass, the plaintive
strains of a familiar song float through a barred window in the gray
stone building. The voice is sweet, but inexpressibly sad: "Oh, how my
heart grows weary, far from----" The song breaks off suddenly in a low,
troubled laugh. She has forgotten, forgotten----. A woman in the ranks,
Public-domain text, read in full here on John Shaqi.
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