Chinatown as a spectacle is disappointing. Next-door neighbor to the Bend, it has little of its outdoor stir and life, none of its gayly-colored rags or picturesque filth and poverty. Mott Street is clean to distraction: the laundry stamp is on it, though the houses are chiefly of the conventional tenement-house type, with nothing to rescue them from the everyday dismal dreariness of their kind save here and there a splash of dull red or yellow, a sign, hung endways and with streamers of red flannel tacked on, that announces in Chinese characters that Dr. Chay Yen Chong sells Chinese herb medicines, or that Won Lung & Co.--queer contradiction--take in washing, or deal out tea and groceries. There are some gimcracks in the second story fire-escape of one of the houses, signifying that Joss or a club has a habitation there. An American patent medicine concern has seized the opportunity to decorate the back-ground with its cabalistic trade-mark, that in this company looks as foreign as the rest. Doubtless the privilege was bought for cash. It will buy anything in Chinatown, Joss himself included, as indeed, why should it not? He was bought for cash across the sea and came here under the law that shuts out the live Chinaman, but lets in his dead god on payment of the statutory duty on bric-à-brac. Red and yellow are the holiday colors of Chinatown as of the Bend, but they do not lend brightness in Mott Street as around the corner in Mulberry. Rather, they seem to descend to the level of the general dulness, and glower at you from doors and windows, from the telegraph pole that is the official organ of Chinatown and from the store signs, with blank, un-meaning stare, suggesting nothing, asking no questions, and answering none. Fifth Avenue is not duller on a rainy day than Mott Street to one in search of excitement. Whatever is on foot goes on behind closed doors. Stealth and secretiveness are as much part of the Chinaman in New York as the cat-like tread of his felt shoes. His business, as his domestic life, shuns the light, less because there is anything to conceal than because that is the way of the man. Perhaps the attitude of American civilization toward the stranger, whom it invited in, has taught him that way. At any rate, the very doorways of his offices and shops are fenced off by queer, forbidding partitions suggestive of a continual state of siege. The stranger who enters through the crooked approach is received with sudden silence, a sullen stare, and an angry "Vat you vant?" that breathes annoyance and distrust.