Spurzheim says of it: "A poetic turn of mind results from a peculiar mode of feeling. Vividness, glow, exaltation, imagination, inspiration, rapture, exaggeration, and warmth of expression are requisite for poetry. Poets depict a fictitious and imaginary world. This faculty gives glow to the other faculties; impresses the poetical and ideal; aspires to imaginary perfection in every thing; creates enthusiasm in friendship, virtue, painting, music, etc.; produces sentimentality, and leads to delicacy and susceptibility. It often acts with Spirituality (Mysticism), located adjoining it, in embellishing poetry with the mysterious and supernatural. Practical exaltation varies with this organ." Combe says: "This faculty loves exquisiteness, perfection, and the beau-ideal; gives inspiration to the poet; stimulates those faculties which form ideas to create perfect scenes; inspires man with a ceaseless love of improvement, and prompts him to form and realize splendid conceptions; imparts an elevated strain to language, and shows a splendor of eloquence and poetic feeling; and gives to conversation a fascinating sprightliness and buoyancy--the opposite of dryness and dullness." In addition to the above characteristics, which are largely due to the co-operation of Mysticism, Infinity, and Reverence, there is another set of manifestations which were largely overlooked by the older phrenologists--the activity of the Imagination in connection with Constructiveness. This combination of Constructiveness and Ideality is found in the great scientists, inventors, great financiers, and others whose plans for "building up" show that Ideality has been also very active in the direction of picturing "what may be"--the _ideal_ which Construction makes _real_. In much mental constructive work, there is found the artistic element, which arises from Ideality. This Quality manifests outer form in the upper and frontal portion of the temples, just where the head begins to curve upward, and just in front of, or under, the edges of the hair (see group figure). It is just above Constructiveness, and just below Mysticism and Imitation, a position which throws light on its several phases of manifestation above noted.