How to Study ArchitectureCaffin, Charles H. (Charles Henry)
History
How to Study Architecture
Caffin, Charles H. (Charles Henry)
Architecture -- History
The monastery was usually erected around a square enclosure still
called in England a “close,” surrounded by cloisters. On one side of it
adjoined the Church or Minster which, if it were cruciform, extended its
transept along one side of the cloister, while the nave occupied
another. Along the opposite side of the enclosure ran the refectory, or
common feeding-room of the brotherhood, while the fourth side was
occupied with dormitories. Grouped around this plan were the abbot’s
lodging, guestrooms, school, and dispensary, the bake-house and
granaries, fishponds, gardens, and orchards. And in some quiet room
where the light was favourable, certain of the brothers plied the task
of scribes and illuminators. Happy the monastery that could boast a
master-miniaturist or one who was of surpassing merit as a master-mason.
Down to the thirteenth century “Architecture was practised largely by
the clergy and regarded as a sacred science.”
The influence of monkish architects may have had much to do with the
change of the cathedral or church plan from basilica to cruciform, which
is characteristic of this period. The clergy continued to be separated
from the laity and the extra accommodation needed for the monks of a
large monastery caused the apse to be replaced by a chancel, which was
raised by several steps from the level of the nave. It contained the
stalls for the monks and was divided from the nave by a screen
(cancellus), which was surmounted by a gallery or loft, in which the
rood (cross) stood.
This rood-loft could be utilised for sacred tableaux which were given
for the edification of the people at certain festivals. At Christmas,
for example, the choirboys, playing the part of angels, would sing from
it the chant of Peace and Good Will, while a representation of the
Manger and the Kneeling Shepherds was displayed upon the top of the
chancel steps. For the Church recognised the power of drama to affect
the imagination, and in time the tableaux developed into “Passion Plays”
and “Mystery Plays.” In fact the nave of the church or cathedral was
treated as the meeting place for the laity and was used for a variety of
secular purposes in connection with the life of the community, while the
towers could be used, if necessary, for watch towers and for the safe
storing of treasure.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account