How to Study ArchitectureCaffin, Charles H. (Charles Henry)
History
How to Study Architecture
Caffin, Charles H. (Charles Henry)
Architecture -- History
Thus it is possible that it was actually a deserted city at the time of
the Spanish invasion, held in reverence as the cradle city of the Incas.
Anyhow, it escaped the knowledge and the ravages of the Spaniards and
retains to-day its primitive state, unmixed with the additions of any
subsequent civilisation.
It occupies an immense area, only rivalled by that of Cuzco, and is
constructed of stones, many of which weigh several tons, hewn into shape
with stone hammers. Large portions of the mountain sides are built up
with terraces, which were used for agricultural purposes and suggest an
analogy with the “hanging gardens” of Babylon. No less than a hundred
flights of steps connect the various parts of the city, which is divided
into wards or “clan groups” by walled enclosures, enclosing houses and
sometimes a central place of worship. The typical design of the houses
is much like that of an Irish cabin--a ground story and a half story
with gabled ends, each pierced by a small window. The wooden roofs have
disappeared, but the stones, bored with a hole, to which the timbers
were lashed, are still in place. In the burial caves bronze objects of
fine workmanship have been discovered.
Among other noted remains of early buildings is the =Teocalli= or “House
of the God” of =Guatusco= in Costa Rica. It shows a truncated pyramid of
masonry, rising in steps, the top forming a platform on which the temple
stands. A still more important example of this form of structure must
have been the =Teocalli= of =Tenochtitlan=, the ancient name of Mexico City.
Built about 1446, it was destroyed by the Spaniards and part of its site
is now occupied by the Cathedral. According to accounts it comprised a
truncated pyramid, measuring at the top, which was 86 feet from the
ground, 325 by 250 feet. In the ascent it was necessary to pass five
times round the structure by a series of terraces. On the platform were
several ceremonial buildings, the terrible image of the god
Huitzilopochtli, supposed to be the one that is now in the Museum of
Mexico City, and the sacrificial stone. Upon the latter were sacrificed
immense numbers of human victims; report saying, though no doubt with
exaggeration, that at the dedication of the temple seventy thousand were
slaughtered to appease the sanguinary appetite of this hideous idol.
The exteriors of the latest remains of Central America and Mexican
primitive civilisation are embellished with ornament, the motives of
which exhibit curved and rectangular meanders and interlacings, derived
from the example of weaving and plaiting, as well as vegetable and
animal forms. Often, as in the =Casa de Monjas= in =Yucatan=, the ornament
is so profuse that it obscures the character of the structure, while the
forms are fantastic and extravagant and in some instances horribly
grotesque. Their intention apparently was to strike awe into the
spectator.
Public-domain text, read in full here on John Shaqi.
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