“Vaulting shafts of great beauty support one of the grandest Perpendicular roofs that has ever been made. Each boss in the roof is worth minute inspection, and since the restoration (1896) it is possible to see the bosses in practically the same condition as they were when they left the masons’ hands in the Fifteenth Century. With three exceptions they are all representations of foliage. “It has been said above that the chapel is cruciform. The arms of the cross are represented by the two side chapels, like diminutive transepts on the north and south sides, with oratories above them, to which access is given by small staircases in the angles of the wall. Both these side chapels contain some exquisite fan-tracery vaulting, which is supported upon flying arches, fashioned in imitation of the graceful flying arches in the choir. “On the north side the chapel contains a full-length effigy of Bishop Goldsborough (who died in 1604) robed in his white rochet, black chimere, with lawn sleeves, scarf, ruff and skull-cap. “The east window in this chapel is in memory of Lieut. Arthur John Lawford (1885), and is dedicated to St. Martin. “The chapel above has a vaulted roof with bosses of foliage, and there are small portions of ancient glass. “The Lady-chapel is one of the largest in the kingdom, and is said, at the time of the Dissolution, to have been one of the richest. A great part of it is said to have been gilded and gloriously ornamented. Traces of the colour can be seen in the mouldings of the panellings and in the carving upon the walls.”--(H. J. L. J. M.) The =Reredos= still retains traces of its gorgeous colours. It is very richly ornamented. The =East Window=, consisting of nine lights, dates from 1472-1479. The monuments are not especially remarkable. The tiles of the floor and the sedilia are notable. On our right, as we leave the Lady Chapel, we come to =Abbot Boteler’s Chapel= (1437-1450). It contains a fine ancient reredos, interesting tiles and a curious wooden =effigy of Robert, Duke of Normandy=, son of William the Conqueror. Critics think it nearly contemporary with the Duke himself. The figure rests on a Fifteenth Century chest. Next we come to =St. Paul’s Chapel= (north-west) entered by a doorway. The reredos here is very fine. It was repaired in 1870. St. Peter, St. Paul and St. Luke, by Redfern, ornament the niches.