“Entering the Choir we see on each side of the doorway three prebendal stalls with _misereres_, on which are carved some foliage. The Bishop’s Stall was once occupied by Cardinal Wolsey. The choir was built by Archbishop Grey in Early English style (1230-1250). There are six arches, with piers of eight clustered shafts. The dogtooth moulding is conspicuous in the arches and on the vaulting of the roof. It will be noticed that the triforium and clerestory are blended together. The east window consists of two rows of lancets, the lower ones containing old glass brought from Paris in 1815, where it was formerly in the Chapel of the Knights Templar. The Baptism of Our Lord; Raising of Lazarus (Francis I. is to be seen in a crimson cap); Christ entering Jerusalem (Luther is near Our Lord, Louis XI. and the Duke of Orleans); the Mocking of Our Lord (the figure of Dante appears). “The Sedilia were erected in 1350 and are good Decorated [Illustration: SOUTHWELL: CHAPTER-HOUSE AND DOOR] [Illustration: PETERBOROUGH: WEST FRONT] work. They have the unusual number of five seats on the same level. The arches are ogee-shaped and are richly carved. The sculptured figures are remarkable, and represent the Creation and the Redemption. Beginning at the east we see the Father holding the world (two groups uncertain), Joseph’s Dream, the Nativity and Flight into Egypt. “The Lectern belonged to the monks of Newstead Abbey, who threw it into the lake to hide it from the commissioners of Henry VIII. Its date is about 1500.”--(P. H. D.) Entering a beautiful doorway in the north-choir-aisle we pass through a vestibule into the =Chapter-House=. “The transition between the Early English work of the choir and the Decorated style of the Chapter-House is very gradual. The doorway, with its two arches and shafts of Purbeck marble, is remarkably fine. There is a small cloister court, with a stone-covered well. In the vestibule we see the walls covered with beautiful arcading of lancet arches of an Early English character. The capitals are beautifully carved with foliage. There is a curious boss of sculpture representing a secular priest shaking the regular monk by the hair, which figuratively depicts the supremacy of the former in the church of Southwell.