“The most beautiful monument now remaining in the church is that which is said to represent Maud, Countess of Arundel (1270). The modelling of the whole figure and the long flowing lines of her robes are worthy of careful study. The hands are clasped over the breast with the forearms bent upwards slightly towards the face. On each of the long sides of the base supporting the figure are six elongated quatrefoil panels, containing in all six female figures and six shields. Between the quatrefoils are winged heads of ten angelic figures. The blazoning of the shields is entirely gone, and the brilliant colouring that once covered the entire monument is only to be traced in a few places. The outer robe still shows [Illustration: CHICHESTER.] [Illustration: CHICHESTER: NAVE, EAST] some signs of the rich blue with which it used to be covered. The face of the figure appears to be badly mutilated, but the damage to the features has been done principally by an endeavour to preserve them.”--(H. C. C.) In the =choir= we find stalls that have been in use since the Fourteenth Century. On the backs of the =choir-stalls= pictures by Bernardi represent Ceadwalla and Henry VIII. confirming privileges to the bishops of their day. In the =south transept= is a beautiful window, better seen from the Cloisters because the bad glass spoils the effect of the tracery. At the end of the south side in the =Chapel of St. Mary Magdalene= St. Richard’s head was preserved in a silver reliquary in the aumbry in the north wall. The Chapel of St. Mary Magdalene is balanced by the =Chapel of St. Katherine= at the end of the north-choir-aisle. In the =south-choir-aisle=, two curiously carved =Slabs=, representing the _Raising of Lazarus_ and _Martha and Mary meeting Jesus_, are supposed to have been brought from the first Cathedral in Selsey when the See was transferred to Chichester in 1082. A doorway in the north-choir-aisle leads to the old =Chapel of St. John the Baptist and St. Edmund the King=. The vaulting is unlike any other in the Cathedral. The zigzag, or chevron, occurs upon the moulding of the ribs. A finely carved head appears on the spring of the arch. This chapel is now used as the =Library=.