How to Visit the English CathedralsSingleton, Esther
History
How to Visit the English Cathedrals
Singleton, Esther
Cathedrals -- England
“The corbels between the arches, which support the vaulting shafts
of the roof, are, perhaps, peculiar to this cathedral, and should
be especially noticed. They are wrought into figures, twisted
branches and long sprays of foliage, and afford excellent examples
of the very best period of naturalism. Every leaf is varied and the
character of the different kinds (here for the most part oak and
vine) is admirably retained. The second corbel on the south side of
the nave exhibits the Virgin treading on an evil spirit, and
carrying the Divine Infant. Above is her coronation. The
easternmost nave-corbels display on the north side Moses with his
hands supported by Aaron and Hur; and on the south the risen
Saviour, with cross and banner. The brackets at the foot of these
corbels are crowned heads; and possibly represent Edward I. and
Edward II., the first beardless as usual, the other more defaced.
The second corbel on the north side represents St. Cecilia, with a
somewhat grotesque angel listening to her music.
“A blind arcade, taking the place of the triforium, deeply recessed
and arranged in groups of four arches under each bay, runs above
the nave arches; and in the central bay on the north side projects
the Minstrels’ Gallery, an arrangement for the accommodation of
musicians on high festivals, which occur in this perfection nowhere
else in England. There are, indeed, other examples at Wells and at
Winchester, but of far less interest and importance. Each of the
twelve niches into which its front is divided contains the figure
of a winged angel playing on a musical instrument and surmounted by
a rich canopy. The instruments beginning from the west are, a
cittern, bagpipes, flageolet, crowth or violin, harp, an unknown or
unseen instrument (the fingers are put close to the mouth),
trumpet, organ, guitar, wind instrument, tambour and cymbals. The
two corbelled heads below, supporting niches, are possibly those of
Edward III. and Philippa. The manner in which the hands and arms
are raised above the heads is unusual. Above the arcade and
minstrels’ gallery is the clerestory, along which a gallery is
pierced in the thickness of the wall.
Public-domain text, read in full here on John Shaqi.
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